Author Film Theory On Kim Ki-duk's Film

Since the 1980 s,a number of outstanding film directors have emerged in the Korean film industry.Among them,director Kim ki-duk has become one of the most eye-catching film authors with his ingenious film style.Since 1996,more than 20 films created by Kim ki-duk have been recognized by international film,and there has also been a "Gold Kidd film fever" in the audience and film critics.Director Kim ki-duk's work has a set of his own creation system,which can fully reflect the director's unique artistic style.This thesis puts Kim ki-duk in the film environment of Asia and even the world to think about his film writer's identity,and combs the film of Kim ki-duk.Through the creation of the trilogy of "editing,guiding and acting" as the starting point of research,he tries to uniquely focus on the film.The theme presentation,religious consciousness,image writing and space creation are analyzed to explore its unique film art style as the film "author" and into the unique film art world of the film "author".This thesis mainly discusses from the following aspects: The first chapter is the introduction part.The main role of writing this part is to point out the basic elements of the dissertation research,namely the purpose,meaning,content,method,research dynamics and innovation.The second chapter analyzes the author's style theory and analyzes the background of Kim ki-duk's growth,which aims to show the close relationship between the film director's personal experience and his film creation style.The third chapter analyzes the director's diversity.The theme is presented to reveal the deep connotation of the director behind the different superficial phenomena;the fourth chapter refines the religious elements in the film,in order to sum up the role of the narrative carrier of religion in many of his director's films;The five chapters are written by unique images and sentimental to "images".The purpose of this part is to highlight the personal style of director Kim Ki-duk's image selection and the role of these images in promoting narrative development.Exploring the uniqueness of Kim Ki-duk's film from the perspective of space creation-large open The space is created and the small enclosed space creates an immersive narrative.The seventh chapter is the conclusion,summarizing the meaning of the writing of the paper.Kim Ki-duk's has a unique experience,a way of expressing his personality and a stylized image,creating a unique "Gold-based" style of film.This unique style is the spiritual embodiment of the film "author" and deserves our in-depth study.