The Study On Alfred Schnittke's First String Quartet Modern Counterpoint Technology

For a long time,music is the music history of the 20th century's most rich individual character of a chapter,expressionist music,classical music,electronic music,incidental music genre emerge in endlessly,but not a system can control all pitch organizing principles of music works,each work has its own independent theoretical system of composition.Polysemy and vagueness in the field of the unconscious occupied the art form,and the tonal music world established since the bud of music soon collapsed.Modern music's fuzzy means of pronounceable objects reach the point of no end.Noise,which is the "anti-traditional" factor,appears more and more in the works,making music audience refreshing music elements begin to appear in large quantities...These music elements,which can directly make the novel personality of the works,become the pursuit of the composer.The language of music also changed dramatically,more profoundly than at any time since the baroque period.In 1960,schnitzke wrote string quartet no.1,a very important work in his early career.From this work,the composer started the typical sequence music creation,which was also an important period when the composer was obsessed with learning music.This paper analyzes this work from the perspective of modern counterpoint technology,mainly involving linear counterpoint,rhythmic counterpoint and structural counterpoint.This paper is composed of two sections,discusses and studies music material and modern counterpoint technology respectively,and makes a comprehensive interpretation of the creative ideas of the works.In this way,we can have a peek into the theoretical composition techniques of music in the whole period at that time to understand the later music system and how music and music developed and differed.