The Magazine Renaissance Rebuilt Lu Xun’s Image

The Renaissance,edited by Zheng Zhenduo and Li Jianwu,was founded in January 1946.It was the only large-scale art publication in Shanghai after the victory of the Anti-Japanese War.The magazine has successfully published 23 issues,which inculding more than 400 literary and artistic works.Reading these articles earnestly,it is not difficult to find that the contents of the magazine have been significantly adjusted.On the inflection point of the adjustment,the Renaissance launched a special issue for Lu Xun’s 10 th Anniversary of Death.These 10 commemorative characters attempt to construct a multi-dimensional,complicated,plump image of Lu Xun,combined with the criticism received by Lu Xun in the controversy before his death,and the new changes of Lu Xun image during the Anti-Japanese War.This image has historical meaning in the depth of history.The Renaissance cleverly arranges it together,which is inseparable from the idea of periodical democracy and the way of historical construction.It attempts to assemble the image construction of Lu Xun in various dimensions,in fact,it is also a combination of various literary and artistic ideas,which is a common attempt to explore the new renaissance.In the introduction,this paper introduces the source of the topic,research status,research ideas,methods and innovations.The main body is divided into three chapters: the first chapter takes Renaissance as the research object,collects some historical data of magazine running,discusses the crisis and pressure faced by periodicals,and how the editors turn crisis into safety;Then through probing into the key word "democracy",this paper deeply analyzes the idea of running a journal,and finally makes a close reading of the contents of the journal,finds out the adjustment of the periodical contents before and after the issue,as well as the special number of Lu Xun’s memorial appeared in the adjustment node.The second chapter starts with the construction of Lu Xun’s image,analyzes the controversy about Lu Xun’s identity,nature and ideology ten years ago,then contrasts with the new changes in the interpretation of Lu Xun’s image in the anti-Japanese war.It is concluded that the difference between the two is mainly influenced by the left-wing internal revolutionary discourse system on Lu Xun’s image construction.Finally,combining with thespecial issue of Lu Xun’s 10 th Anniversary Death launched by Renaissance,this paper explores the deep reasons why renaissance pays attention to Lu Xun’s 10 th Anniversary Death.The third chapter mainly analyzes the special number of Lu Xun’s 10 th Anniversary Death launched by Renaissance.From the perspective of the construction of Lu Xun’s image in the revolutionary discourse system,no matter Guo Moruo,Jiang Tianzuo responded to the controversy,or Soviet writer and Feng Xuefeng affirmed Lu Xun,they all tried to construct Lu Xun image objectively and rationally.From other dimensions,"Beijing School" attempts to construct the image of Lu Xun,whose spiritual temperament is in line with it,and the Shanghai masses construct Lu Xun image from the perspective of bearing in mind the history.Academic researchers construct Lu Xun image from the point of view of protecting Lu Xun’s cultural heritage.Through the historical and academic construction of Lu Xun image,the Renaissance reflects the relationship between the literary world and the middle.The yearning and pursuit of the Renaissance dream in China.Finally,the conclusion part summarizes the viewpoint of the full text,and puts forward the present situation and future of the interactive research between the future periodical and Lu Xun’s image construction.