| Pipa spread into China,and has a very rich history in playing technology and theoretical research.In history,the development of Pipa has three peak periods,Tang Dynasty,Ming and Qing Dynasty and modern and contemporary.Taking the improvement of national music as the guiding ideology,Mr.Liu Tianhua has studied and reformed the Pipa and other instruments to gradually unify their forms.He has created three Pipa music and a large number of etudes,namely "Gai Jincao","Xu Lai","Ge Wuyin",which gradually leads the pipa to the development of professional music.After the founding of New China,many excellent composers and works emerged.During this period,creative techniques were rich,such as the integration of Western creative techniques in composing techniques,and the integration of folk songs with regional musical styles in works.In this period,creative techniques and genres were also rich.Besides solos,Concertos also appeared on the historical stage of Pipa,which opened the third development peak of Pipa art.The author combs the development of Pipa concerto,with "Qilian Fantasy" and "Plateau Soul" as the starting point,combs the development mechanism of contemporary Pipa Concerto creation,focusing on the application of Northwest music elements in Pipa concerto.At present,according to the database search of China HowNet,the research on this topic mainly involves two parts: Quwenjun,Han Lankui’s music creation research and Qilian Fantasy and Highland Soul.Through data analysis,interviewing composers,and combining with performance practice,the author adds his own understanding of the two works on the basis of rational understanding,and explores the performance of these two works.“ Gansu folk songs,Northwest Huaer,Ansai waist drum and Shanbei Xintianyou are the local music materials,which are of great significance to the music creation,performance and practical teaching of Pipa concerto,and explore the way for the development of national instrumental music in the contemporary era. |
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