Study On The Decorative Patterns Of Black Pottery In Qujialing

Hubei province has a long history,because is located in the middle reaches of the Yangtze river,from north to south,even west to east of the special geographical position,has always been the four cultural convergence bridge.Superior geographical environment can provide a breeding ground for culture,and rich ecological environment can provide nutrients for culture to grow,facilitating the input of cultural nutrients from all directions.Hubei province is rich in cultural heritage sites,both in terms of the total number of cultural relics sites and the level of protection of cultural relics units,which are among the top in the country and play an important role in the process of cultural development,inheritance and exhibition.Qujialing culture is the first named neolithic archaeological culture in the middle reaches of the Yangtze river with a long history.Qujialing black pottery,as a part of the culture of Qujialing,has a unique color.Qujialing black pottery followed the law of development from its birth to its heyday and to its decline.The research on the black pottery decoration of Qujialing can not only provide some theoretical references for historical research,but also provide some references for the development of modern ceramic design.This paper is divided into four chapters.The first chapter combs the origin and stages of Qujialing culture.The second chapter analyzes the historical background and production process of Qujialing black pottery,and focuses on the analysis of the reasons for the appearance of Qujialing black pottery,so as to provide the necessary basis for exploring the decorative patterns of Qujialing black pottery.The third chapter analyzes the artistic representation of Qujialing black pottery ornamentation from the aspects of the classification of ornamentation,the function of ornamentation,the economic form,spiritual activities,and the relationship between living habits,and explains its artisticlanguage from multiple perspectives.The fourth chapter explores the relationship between Qujialing culture and other black pottery cultures in the process of its development.Highlight the aesthetic value of Qujialing black pottery.It is of great significance to understand the cultural connotation and appearance of Qujialing and to study the relationship between different cultures.The final conclusion summarizes the paper,and points out the problems and the need for further study in the process of writing the paper.