The Study On Spatial Composition Of Xi XiaSong In The Eastern Han Dynasty

Ode to the West Narrow is one of the famous Xi XiaSong both at home and abroad.It is situated in Chengxian County of Gansu Province.It was carved on the cliffs during the Eastern Han Dynasty.Its vivid characters and vivid graphics are very rare monuments in the past dynasties.It is of great value both academically and artistically and is loved by artists at home and abroad.In this paper,the spatial structure of Xi XiaSong is sorted out and collected in great detail.Meanwhile,it is analyzed carefully and carefully,and the logic of its spatial structure is studied in detail,which has great guiding significance for later research and learning.In this study,it is divided into five parts,as follows:Firstly,it introduces the meaning and development of official script from its development and characteristics,and classifies official script from its writing carrier.Secondly,it elaborates on its brief introduction and formation background in detail,focusing on the background of the production of Xi XiaSong,and makes a simple dialectical analysis.Thirdly,through the method of induction and analysis,the concept and characteristics of its spatial composition,the concept of space in ancient China,the spatial composition in calligraphy,the spatial and temporal characteristics of calligraphy are analyzed reasonably,so as to get the basic characteristics and rules of its related research,and lay a solid theoretical foundation for the follow-up research.Fourthly,the characteristics of the spatial structure in Xi XiaSong are analyzed,and the shape changes of the structure are seen from the spatial composition.The spatial structure of Xi XiaSong has its own characteristics.Seal and seal scripts are mutually interrelated,broad and stretching,odd and positive intergrowth,turning square and circle,and natural density changes a lot.Finally,in Xi XiaSong,we study the change of shape from the perspective of space composition,to study the change of symmetry,homonym,and side,and to study the composition of space in these changes.Combining with the author’s learning experience and the shallow understanding of Xi XiaSong,the author puts forward his own views on the direction of the study of the spatial composition of Xi XiaSong in the cliff stone carvings of the Eastern Han Dynasty.Fifthly,from the analysis of the brushwork and brushwork of Xi XiaSong,we can see thechoice of the space composition of Xi XiaSong in the official script of the Qing Dynasty.At the same time,it explains the profound influence of official script in Han Dynasty on the revival of official script in Qing Dynasty,and provides some ideas for later scholars who are interested in studying official script in Han Dynasty and studying official script in Qing Dynasty.