A Study On The Music Of The Wedding Ceremony Of Bunu Yao's

As the only Yao Autonomous Township in Tiandong County,the majority of the Yao people living here belong to the Bunu Yao branch.The music form of Dengbnu Yao is composed of music and folk songs.Bunu Yao music mainly uses traditional wedding instruments and life instruments as carriers."Dengbu Nuo Yao" is a kind of blowpipe instrument similar to the suona horn,and bole instrumental music is mainly used for ceremonial occasions such as Bunu Yao wedding and birthday.Bunu Yao's rumors are carried out in the villages of Bunuo Village and Xin'an Village,and there are still 14 complete wedding music pieces.As a traditional wedding instrument on the Dengbu Nu Yao,the singer is extremely particular about the use of music,closely linked to the wedding ceremony of Bunu Yao,and is integrated with the wedding customs of Bunu Yao.Bunu Yao folk songs are another important part of Bu Nu Yao's music.They are mainly distributed in Bunu Yao Village,such as Dengmeilin Village,Yuxiang Village,Pingluo Village,Yuchao Village and Yuji Village.According to the tune classification,Bunuo Yao folk songs can be divided into two kinds of songs: "Hao Song" and "Yao Xi Duo".The songs of Yaoge are rich in subject matter,and the tunes are short and single.They have the characteristics of "multi-theme with one song".Among them,the folk songs belonging to the "Hao Song" theme are: birthday songs,love songs;belonging to the "Yao Xi Duo" music theme: sacrifice ancient songs,wedding custom ancient songs.This article is based on the Dengbu Nuyao wedding ceremony and folk songs.The text is divided into five chapters:The first chapter introduces the music culture ecology of Bunu Yao in Dengxiang,and summarizes the human ecological environment and cultural customs of Bunu Yao in the countryside.The second chapter traces the investigation and conducts the wedding ceremony of the Bunuoyu wedding ceremony in the township.The investigation of the wedding ceremony and the birthday ceremony is carried out.The wedding ceremony is taken as the entry point to describe the wedding ceremony and music culture of Bunu Yao.The third chapter studies and analyzes the morphological characteristics of the music of the wedding ceremony of Dengbunao,and analyzes the musical morphological characteristics of Bunu Yao's wedding ceremonies and folk songs;The fourth chapter investigates the inheritance of Dengnuu Yao music,and summarizes the inheritance mode of Bunu Yao music and the inheritance spectrum of Bunu Yao and folk songs.The fifth chapter explains the cultural connotation of Bunu Yao's musical appearance.The research on Bunuo Yao music is not limited to the music ontology.The author also actively integrates into the intra-cultural environment in which the music phenomenon depends,and finds the inner relationship between the music phenomenon and the cultural background.Bunuo Yao music has different social function values and expressions in different eras.The longitudinal observation of the historical trajectory of its changes can more accurately grasp the deep cognition of Bunu Yao music.