The Research Of Lin Haiyin’s Novel Art

Lin Haiyin is a famous modern writer in Taiwan.She is good at presenting the trivial things of ordinary people in the form of scrolls in front of the readers.She creates a unique atmosphere with the unique warmth and delicateness of women,creating a full aftertaste and Yu Yun’s novel style.This thesis takes Lin Haiyin’s short,medium and long novels as the complete object,explores the artistic personality of Lin Haiyin’s novels,and presents the overall style of his novel style.The paper consists of three chapters.The first chapter analyzes the scattered cultural structure of Lin Haiyin’s novels.Lin Haiyin’s novels do not pursue the integrity of the story form,no matter how long it is.There is no ups and downs of the plot chain,showing a typical scattered cultural structure.The specific performances are as follows: 1.The structure of “first-line beading” is adopted.This is the structural pattern of two representative novels of “Old Things in the South of the City” and “The Story of Marriage”.Second,the fragmentary story form,including the fragmentation of the event.Narrative and jumping story time;Third,the setting and dispelling of drama conflicts,on the one hand,setting up dramatic contradictions and conflicts,constructing text tensions,and at the same time transforming conflicts into soothing narratives and eliminating conflict tensions.The second chapter discusses the narrative perspective of Lin Haiyin’s novels to strengthen the inner perspective.Most of Lin Haiyin’s novels use the first-person narrative perspective.Whether it is the story of “I” or the story of others,the narratives and thoughts cover the whole narrative.It is embodied in the following aspects: First,some novel narrators “I” overlap with the author experience,the author’s emotional intentions are directly projected into the text;Second,there are two first person narrators “I” in the text,between them Conversation around an event or topic enriches the meaning of the text.Third,the “I” in the story has the same rich personal feeling as the “I” of the story spectator.Finally,this chapter also discusses the situation of the third person’s internal perspective in Lin Haiyin’s novels.The third chapter studies the artistic conception of Lin Haiyin’s novels with oriental sentiments.Lin Haiyin’s novels have a gentle and elegant aesthetic concept.In addition to the basic elements of the structure and narrator’s formation of this aesthetic style,the lyrical literary language and rich imagery further strengthen the style of Lin Haiyin’s novels.personality.