Charm Of Zither Music-technical And Aesthetic Analysis Of Rigidity And Softness In Zither Performance

As a traditional plucked instrument in China,Chinese Zither not only formed the genre of zither music with regional style characteristics,but also formed a unique performance characteristic.Both traditional music and composition music are concentrated.It shows the aesthetic characteristics of the Chinese Zither playing and the softness.These two aesthetic features are not only reflected in the external acoustic performance of the Chinese Zither,but also reflect the player’s inner technical cultivation and cultural accomplishment.The first chapter discusses the two basic characteristics of the aesthetics of Chinese Zither performance-Gang and soft,respectively,from the perspective of the characteristics of the zither performance,the soft and aesthetic characteristics,followed by the general characteristics of the timbre characteristics and performance techniques.It is believed that in the general sense,Gang and soft are two typical forms of playing and playing,and grasping the inherent meaning and strength of this form is of great help to improve our performance level.As the basic attribute of music,each instrument has different characteristics.From the perspective of the timbre factors that make up the instrument,there are two main ones.One is the characteristics of the instrument making material itself.The vibration formed by the material is different.There is also a fundamental difference between homophonic sounds,which we can call the natural sound of the instrument;the second is the artificial sound.From the perspective of Chinese Zither playing skills,we can look at the combination of softness and softness.The specifics can be explained from the following two aspects: one is the rigidity and softness of the body when playing the skill,and the other is the soft and soft music played by the playing technique.which performed,The second chapter discusses the musical performance of the traditional zither and soft,and through the analysis of the four regional style zither songs of Shandong zither,Henan zither,Zhejiang zither and Chaozhou zither,in the artistic performance of the traditional zither,the technique of rigid and soft performance is established.The foundation,no matter which kind of zither genre,fully reflects the timbre characteristics of the Chinese Zither,and also has a concrete manifestation in the performance of music.The third chapter discusses the technical expression of Gang and soft in the modern zither.Through the analysis of the three pieces of music of "Western Theme Imagination","Ink" and "Yunling Sound Painting",it is believed that in the creation and performance of modern zither music,The skill and performance of Gang and Soft is still the main feature of modern zither music.This shows that the creation and performance of contemporary zither music is still centered on the national aesthetic,and no matter how innovative the playing skills are,it is from the soft and soft music.Performance as a starting point.The fourth chapter is the enlightenment of the performance of the guzheng playing the soft and soft aesthetics.It is discussed from the two aspects of the playing technique of the left and right hand and the rigid and soft performance of the emotion.It is considered that the performance of the Chinese Zither rigid playing technique and music needs The performer should have a high degree of artistic accomplishment and cultural accomplishment,including the ability to analyze music texts and the ability to understand sound.And also have a solid basic skills and performance techniques,so that you can become a qualified Chinese Zither art communicator.