Research On Minority Music Elements And Playing Techniques In "Yunshan" Suite

Mr.He Zhanhao's strengths in Western musical expression techniques are combined with Chinese national music culture to express the national thoughts and emotions.In his words,it is "the foreign form of nationalization,the modernization of national music",which is the principle he followed in music creation.Under the guidance of this principle,his new works are constantly emerging and active on the stage of Chinese national music.Since the 1980 s,"national music modernization" has been the goal of Mr.He Zhanhao's own creation.He is actively responsible for exploring the development of kites as a responsibility of a modern composer.Many of his kites and pieces have been loved by the masses and become the classics of Chinese Guzheng music in the 20 th century.His musical vocabulary is rooted in the national soil;the works are mostly folk stories that are widely circulated and well-known in China;most of them use traditional folk music materials;they have a distinct storyline segmentation;they are rich in infections while excavating the characteristics of national instrumental music.Force and artistic tension.The Guzheng Suite "Yunshan" is a piece of guzheng and orchestra played by the famous Chinese composer Zhanhao He in 2001.It consists of three independent works: "ayisai","zhulouqing" and "Miao Lin Huan Ge".The composition of the works,the three works respectively show the joy,sincerity,emotions and thoughts of the three ethnic minorities of the Yi,Yi and Miao nationalities.This thesis aims to analyze the traditional Chinese music elements and performance techniques,and study the Guzheng suite "Yunshan",focusing on the analysis of the use of traditional musical elements in the works,analyzing the importance of traditional elements in modern zither and the traditional elements and modern The development trend of composing techniques mutually promoting and interdependent,and thus analyzing that traditional music elements are an important part of modern zither.The article innovatively uses the new work "Yunshan" as a starting point to analyze how Zhanhao He applied the creative principle of "nationalization of foreign forms and modernization of national music" to the creation of zither music.