The Research Of Reception For Lu Zhaolin’s Articles And Their Canonization

Lu Zhaolin is an important writer in the literary history of the early Tang Dynasty.He was very popular in the Tang and Five Dynasties.In each subsequent era,the acceptance of Luzhao showed different characteristics.In the past,the study of Lu Zhaolin only focused on the main content of his poems,artistic features and style,or on the parallel traces of other people’s lives.The topic of his acceptance is only related to Lu Zhaolin’s acceptance of his predecessors,especially Chu Sao’s acceptance.However,the study of his acceptance by later generations is very few,especially the study of his acceptance of the text is nearly zero,so there will be no comprehensive study of Lu Zhaolin’s acceptance.So this paper takes Lu Zhaolin’s articles as the object of study,and from the perspective of the history of acceptance,the reception of his criticism in past dynasties and the process of canonization specific works are studied.The thesis consists of introduction,main body and conclusion.The introduction part mainly elaborates the status of lu zhaolin in the history of literature in the early tang dynasty,the research status and research methods of lu zhaolin.The main body discusses the criticism and acceptance of lu zhaolin’s classic works in the past dynasties,and discusses the process and reasons of the classification of lu zhaolin’s classic works.The first part deals with the acceptance of Lu Zhaolin in the Tang and Five Dynasties.Generally speaking,it is an image of praise and derogation in the beginning.Lu Zhaolin’s collection of works in the Tang and Five Dynasties was handed down in 20 voLumes,and there were two contradictory voices in the criticism of Lu Zhaolin and his works in this period,both praise and derogation.The second part reviews Lu zhaolin’s criticism and acceptance in song and yuan dynasties.In the song and yuan dynasties,there were twenty voLumes,ten voLumes and three voLumes of his anthology.Lu zhaolin’s record is diversified in the northern song dynasty,mainly in the southern song dynasty to repair private works,jin yuan is the bottleneck period,slightly tortuous,relatively less.The emergence of all kinds of situations is closely related to the academic trend of thought and social ethos in the song and yuan dynasties.Due to the infLuence of the six dynasties and the early tang dynasty,Lu zhaolin’s own creation has its limitations.The criticism and acceptance of Lu zhaolin and his writings in the song and yuan dynasties are mainly reflected in the inheritance and development of the five dynasties’ views of "impetuous and superficial" and "frivolous and frivolous writing".The infLuence of "zong jing zun han" thought on Lu chao-wen;The concLusion that Lu zhaolin was the pioneer of the style of writing in the early tang dynasty must be the result of the innovation of the style of writing in the early tang dynasty.Finally,some literati works in the song and yuan dynasties have commented on Lu zhaolin and his writings.The third part mainly discusses the acceptance of Lu zhaolin and his writings in the Ming and qing dynasties.According to the spread of Lu zhaolin’s anthology,seven voLumes of the text were added in the Ming dynasty,and four and two voLumes were added in the qing dynasty.After experiencing the silence in the jin and yuan dynasties,infLuenced by the preferences of the rulers at that time,the trend of style of study and the aesthetic appreciation of literati,Lu zhaolin’s writings in the Ming and qing dynasties showed a revival trend,with a large number of sylloge,anthologies,genre books and other works being selected and quoted.The acceptance of Lu zhaolin and his writings in the Ming and qing dynasties was discussed from two aspects: Firstly,from the standpoint of " No fu in the tang dynasty " and the writing characteristics of eight-part prose in Ming Dynasty,this paper discusses their influence on Lu Zhao’s neighbouring prose;Then from the evaLuation of the Ming dynasty to see their acceptance of Lu zhaolin and his text;Finally,the order of the "four great figures" in wang shizhen’s word of the art circle criticized in the Ming dynasty is used to explain its advantage and disadvantage.Second,the acceptance of Lu zhaolin and his writings in the qing dynasty is discussed.Firstly,the infLuence of Lu zhaolin on Lu zhaolin’s writings is discussed from the perspective of the continuing controversy of "No fu in the tang dynasty".Then it discusses the evaLuation of Lu zhaolin and his writings in the qing dynasty.Finally,under the background of parallel prose of six dynasties,Lu zhaolin’s prose is praised more than disparaged.The fourth part discusses the acceptance of lu zhaolin and his writings in modern times,which is generally stable in prosperity.Lu zhaolin anthology spread to modern times,mainly based on zhang xie’s seven volumes of Ming dynasty to sort out lu zhaolin anthology.Although there are few records of lu zhaolin’s writings in modern times compared with those in previous generations,some selected works in modern times still run smoothly on the whole.For the analysis of lu zhaolin and his acceptance of criticism in modern times,the influence of lu zhaolin in this context can be seen from the argument of "No fu in tang dynasty",which still exists today.Then from each literature work carries on the appraisal to its language color,the emotion expression Angle;Finally,the author analyzes the negative judgment of his literary status.The fifth part studies the canonization of lu zhaolin’s specific works.This paper mainly focuses on the two works of wu bei wen and shi ji wen,and discusses the process of its canonization through the spread and acceptance of it in the past dynasties.It comes to the conclusion that the tang and five dynasties were its embryonic period,the song and yuan dynasties were its development period,the Ming and qing dynasties were its prosperous period,and the modern and modern times were its precipitation and retention period.The main reasons for the formation of the classic works are discussed from the perspectives of the importance of the text,the emotional resonance of the works,the orientation of the comments and the flexibility of language use.At the same time,it roughly analyses the reasons why some of Lu Zhaolin’s works don’t constitute classics.The epilogue summarizes the acceptance and canonization of Lu Zhaolin’s articles in past dynasties.