Porcelain Of The Shanhaijing-The Research On The Creation Of Ceramic Kneading And Plastic Works

In literary theory,there is a view that literature is human science.Literary works,based on all kinds of thoughts about human nature,reflect the reality of society.It is the art of using language as a tool.If we look at the "The Classic of the Great Wilderness"from the aesthetic point of view,it will show us cruelty to the social cruelty of the time and implicitly imply the germination of the aesthetic consciousness of the people.Ceramic kneading has its own unique characteristics.The soft characteristics and manual processing of its materials retain the aesthetic characteristics of ancient times."The Classic of the Great Wilderness" is a manifestation and fierce,when it is involved in the form of ceramic kneading in the form of a ceramic,its aesthetic taste is like the characteristics of ceramic kneading,like the divine,freehand.The work "Porcelain of the Shanhaijing",with clay as a carrier,uses its natural mud to shape the spiritual resemblance and ferocious spirit in this literary works.On the other hand,"The Classic of the Great Wilderness" as the carrier,to show the unique characteristics of the earth,the narrative record.Ceramic molding is very similar to the process of literary creation for the "demanding" and "free".The idea of writing into creative ideas and artwork,kneading language instead of written language for expressing tools.