A Study On Sanqu Of Survivors In The Early Qing Dynasty

Folk Sanqu of the early Qing Dynasty is an important part in the development history of Sanqu in China.It is not only abundant,but also valuable in terms of quality.However,due to the academic circles' criticism of the Qing Dynasty's Sanqu,the Sanqu of the adherents of the early Qing Dynasty has been seldom discussed.At the beginning of the Qing Dynasty,the adherents of Sanqu had strong colors and distinctive group characteristics.The writers' regional composition was very concentrated,and their emotional connotation and artistic expression had some breakthroughs compared with the previous generation of Sanqu.This article chooses the folk songs of the early Qing Dynasty as the research object,based on the text,to analyze the overall style and features of the folk songs.The article is divided into four parts.The first part defines the criteria for dividing the research objects of this article and defines 15 adherents of the early Qing Dynasty.At the same time,from a macro perspective,it summarizes the creation,living style,the background of the generation of the folk songs and the group characteristics of the folk musicians.The second part classifies the themes of Sanqu by adherents,which mainly includes four types: Sanqu for chanting objects,Sanqu for boudoir feeling,Sanqu for writing scenery and Sanqu for chanting bosom.It also makes statistics on the number of Sanqu of each type and summarizes its creation characteristics.The third part deeply digs the emotion connotation of the adherents' Sanqu.In addition to the basic tone of the adherents' literature of sadness of leaving the world and their feelings of avoiding the world,the ballads of the adherents of the early Qing Dynasty added the contents of introspection and criticism of the officialdom society,feelings of kinship and friendship,which greatly enriched the emotional connotation of the ballads of the adherents.The fourth part focuses on theartistic development of Sanqu by adherents of the early Qing Dynasty,which is mainly manifested in the elegance of language use,the complexity of allusions and the diversification of artistic techniques.The boundary between traditional poetry and the artistic expression of Sanqu has become increasingly blurred.The scattered songs of the adherents gradually moved closer to the direction of " literature of ambition and emotion".In addition to the works,we should also cherish the literati character shown in the folk songs of the adherents.Adherent songwriters take loyalty as their goal and loyalty as their standard,which also adds unique cultural charm to the folk songs of the early Qing Dynasty.