| Since the founding of the People’s Republic of China,the academic circles have been devoted to the exploration of the value of Du Shi’s implication,and the study of language forms is relatively lacking.In the study of a small number of forms,it is more inclined to explore the artistic skills of Du Fu’s poetry,and the attention to ancient poetry is even more lacking.Du Fu’s life devoted to the exploration of poetry,whether in terms of lettering,syntax or the structure of chapters,is a world standard.Therefore,later generations talk about poetry,which is subject to Du Shi,which means Du Shi’s formal skills.The research will not only help to enhance the intuitive understanding of Du Shi’s artistic achievements and characteristics,but also help to grasp the ancient poetry theory.In view of this,we will start with the structure of Du Fu’s ancient poetry and discuss the achievements and techniques of Du Fu’s ancient poetry in terms of confrontational form and structural arrangement.In this regard,it can be divided into three parts to explore:The first part is to determine the research object: to determine the number of ancient cuckoo poems and to sort out the relationship between the ancient cuckoo and the rhythm.Under this premise,the artistic achievements and artistic characteristics of Du Fu’s ancient poetry are summarized.The second part is to sort out the confrontation,use and structure of Du Fu’s archaic poems: it is divided into the first pair of confrontation,the tail pair confrontation,all confrontation,all wrong,and so on.In addition,the focus is on a special form outside the confrontation-"Single sentence" and analyze the role of "single sentence" in the structure.The third part is to sort out the body structure of Du Fu’s archaic poems: it is the stratification and feature analysis of Du Fu’s ancient poetry structure,the arrangement of structural methods,and the symbolic function of question sentences in the hierarchy of structure. |