Research On The Calligraphy Of The Ming Dynasty

The development of the fan surface to the Ming Dynasty not only has the practicality of being easy to carry,cool and cool,but also has the art of easy to draw,easy to swim,play,and so on.It is also used as a carrier for calligraphy by literati writers,thus creating a large number of fan-shaped calligraphy works..This paper takes the shape of the fan as the starting point,briefly combs the development of the fan and fan calligraphy in the Ming Dynasty,and focuses on the theme of the fan calligraphy in the Ming Dynasty.Firstly,through the literature and historical materials,the inflow,localization and use of the folding fan in the early Ming Dynasty are elaborated.The main aspects are the improvement of the fan-shaped shape of the Ming Dynasty fan,the aesthetic characteristics of the fan-faced calligraphy,and the occurrence of the literati fan in the Ming Dynasty.The reason for the rise.Secondly,the literati group that emerged after the middle and late Ming Dynasty achieved great achievements in calligraphy creation.From the perspective of fan calligraphy in the Ming Dynasty,the development of fan calligraphy in this period has become increasingly mature.In particular,the scale of production of folding fans has expanded,and the aesthetic style of book fans has been formed among the literati groups,and the participation of Wumen booksellers has expanded the influence of fan calligraphy.Finally,starting from the fan works of the Ming Dynasty,the focus is on the problem of the fan-face method,and the characteristics are summarized according to the fan-face calligraphy method.