Analysis On The Role Shaping And Singing Of “Jade Bracelet”in The Opera"The Old City Of Wild Fire Spring Wind Fighting Ancient City"

As a modern chinese national opera,‘The Wild Fire Spring Wind Fighting Ancient City’’ is a historical and creative creation,which has an irreplaceable position in the chinese national opera.Many of these songs have been selected as the study repertoire of the chinese conservatory of Music.Before we study or sing them,we should not only do sufficient desk data analysis on the role-building,musical style,singing skills,and so on,but also do a good job in shaping the characters,musical styles and singing skills of the singing segments.The classical version of the singer’s interpretation will also be analyzed and compared.In this paper,the fifth "Yang Mu Family" singing paragraph "jade bracelet" as the research content,from the role of Yang Mu and Yinhuan shape to the music of the work noumenon special and singing skills,Huang Huali for example to analyze this singing segment,finally with the author’s own singing experience as the end.The structure of this paper is divided into introduction,text,conclusion,five chapters to discuss the role shaping and singing skills of Jade bracelet.Chapter one: introduction,including the reason,significance and present situation of this thesis,the background of opera creation and so on.In the second chapter,the author discusses and analyzes the roles of Yang Mu and Yinhuan in "jade bracelet" from different aspects,such as character shaping,musical character shaping,the use of opera elements in character shaping,and the role of dance beauty in character shaping.Chapter three: the author analyzes and discusses the music characteristics and singing skills of the works,and expounds the music features,music structure,singing breath,biting and spitting,moistening and so on.Chapter four: this chapter is the innovation of this thesis.Taking Huang Huali as example,this paper analyzes the expressions of the singer in the interpretation of the passage.Learn how she creates the work twice,and use it as a reference in the author’s own singing.Chapter five: conclusion,the author’s own singing experience and the summary of the above.It is hoped that this paper will do a little work for the scholars who study chinese national opera in the future.