An Analysis Of The Musical Nationalization Of Chinese Composers Taking Three Works Of Three Periods As An Example

Under the impact of Western modernism and postmodern music,how to treat one's own "native language"-national folk music has formed a major confusion for contemporary music youth.Therefore,it is necessary to revisit the historical experience as a mirror,and to correct it from time to time.This article takes the national creative thinking of Chinese modern composers as the object,from the perspective of “rooted national music”,three works of three composers in China(He Lv Ting's “The Cowherd's Flute”,Xian Xinghai's “Yellow River Cantata” as well as He Zhanhao and Chen Gang's “The Butterfly Lovers”)conducted detailed analysis and discussion,and combed and analyzed the musical concepts of the three periods with a clear historical line,in order to glimpse the present from the cultural,historical and creative intentions behind these works and works.Music should grasp the "degree" in the creation of nationalized music materials,in order to provide readers with a certain creative thinking and experience.