The Study On Intertextual Relationship Between Wen Zhengming's "Mo Lan Tu(the Painting Of Ink Orchid)" And "The Poem Of The Orchid"

In Chinese traditional culture,the "Orchid,has beeome a cultural symbol of ethics,and it is not uncommon in traditional Chinese painting,poetry,music and other artistic forms of literature,Especially embodied in the "Mo lan tu(the painting of ink orchid)" in the theme of "Four Gentlemen".In the history of painting,underneath Wang Wei's poetic to open up the painting environment,to the Northern Song Dynasty Su Shi,Ouyang Xiu "there are paintings in the poems and poems in the paintings","poetry and painting are all the same,tian gong and fresh" and other literati painting theories advocate,at the Yuan,Ming and Qing Dynasties,the literati paintings became a torrent of water,and thetcFour Gentlemen,5became one of its important creative themes.Before the orchid became a splendid sight of the literati painting theme of uMo lan tu(the painting of ink orchid)",the ancient sages had already given it the character of the personification.In literary works,the "Orchid" as a plant is constantly being personalized,the poets use it to convey the world view,outlook on life,and values.Therefore,it is called,four gentlemen,with "plum flower","bamboo" and "chrysanthemum".In the Song Dynasty,"Orchid" became an elegant culture.The earliest orchid manual and "Mo lan tu((the painting of ink orchid)" appeared at this time.During this period,planting orchid,watching orchid and painting orchid became a new style."Orchid" contains rich cultural connotations and at the same time it has a high artistic value.Although the appearance of "The Poem of the Orchid,was earlier than the "Mo lan tu((the painting of ink orchid)",but both of them were to express the Personality beauty of the artistic image of "Orchid.Literature and images have always been inextricably linked,This article chooses to study the case of Wen Zhengming's "Mo lan tu((the painting of ink orchid)" and "The Poem of the Orchid",From the vertical perspective,Wen Zhengming is in the Ming Dynasty,for originated in the Song Dynasty,"Mo lan tu((the painting of ink orchid)",it means that he is at the turning point of the link between the top and the bottom;From the horizontal point of view,he is talented,poetry,calligraphy and painting are all fine,he has many "Mo lan tu((the painting of ink orchid)”and“The Poem of the Orchid" exist in the world.Wen Zhengming's character is peaceful and has no heart of competition.This character leads to his "Mo lan tu((the painting of ink orchid)" and "The Poem of the Orchid"tending to be gentle,which is different from other literati painters.The thesis is divided into three parts.The first part i5 through Wen Zhengming has appellation the plant "Orchid,and mentioned Confucius,Qu Yuan when he described the "Orchid" inter the "The Poem of the Orchid",to discussion of"Orchid" is How to be personified.The second part is through the image logic of "Mo lan tu((the painting of ink orchid)" that painted by Wen Zhengming,to discussion the"Orchid" after being personalized is how to re-materialized under the creation of Wen Zhengming,which is embodied in the image shaping,the characteristics of composition,and the combination of poetry,calligraphy and painting,and compared with other literati painter's "Mo lan tu((the painting of ink orchid)".The third part discusses the correspondence relationship between the language and the graphic of Wen Zhengming's“Mo lan tu((the painting of ink orchid),and "The Poem of the Orchid".Wen Zhengming strengthens the orchid's personality through the bamboo,stone,thorns,and grass,and Complement the visual aesthetics of the "Mo lan tu((the painting of ink orchid)" with olfactory language of "The Poem of the Orchid",In addition to strengthening,decoration and Complementary,the objects in the poem also have corresponding deviations in the "Mo lan tu((the painting of ink orchid)".At the same time,the "dominant color" of the poem and the "implicit color" of the picture complement each other while opposing.On this basis,the intertextuality between poetry and images has enabled the viewer to achieve the aesthetic experience of "unified sharing".