Research On China’s Political Propaganda Poster In The New Period Abstract

The poster of China’s political propaganda in the new era stands on the cornerstone of the history of China’s political propaganda posters.It is being displayed in various corners of people’s lives in a colorful way,and carries out a highly active political culture rendering of the audience.It combines the new political and cultural situation to shape its own unique artistic style.The innate political color makes it become the vane of the aesthetic of the times and the mirror reflecting the status quo of the society.This article focuses on the Chinese political propaganda posters in the new era,and combs the complete development of China’s political propaganda posters as an innovation.Firstly,through the historical research,the posters of China’s political propaganda before the liberation,after the founding of the People’s Republic,and after the reform and opening up were selected.On this basis,the characteristics and values of the series of political propaganda posters on the representative Chinese dreams and socialism in the new era were discussed,and finally the paper carefully analyzed the design language of the "Chinese Dream" and "Socialist Core Values" series of political propaganda posters.From the perspective of art sociology as a whole,this paper analyzes the changes in the functional value and visual characteristics of Chinese political propaganda posters in various periods.At the same time,the political propaganda poster of the new era of China shoulders the basic political and cultural propaganda function,and the new social context gives it the gauze of ideological education and humanistic care.In the new era,the most influential "Chinese Dream" and "Socialist Core Values" series in China’s political propaganda posters explored the pursuit of nationalization in the international diversified situation,and through the two elements of text and image,the essence of the posters on series of Chinese Dream and socialist core values are reached.On the one hand,the text plays an interpretation role in the visualization of intentions;on the other hand,it cooperates with the image to complete the complete expression of intertextuality;The image is fully displayed with visual isomorphism,image steering,juxtaposition effects,and the most common symbols and exaggerations.The combination of the technological power of the times and the traditional elements in the posters of the Chinese political propaganda in the new era collided with the unique style of the artistic and political integration of Chinese civilization.