| In recent years,the adapted films of fictions,dramas and cartoons,etc.have greatly gained the attentions of the film-makers.The firms adapted from dramas have developed for decades of years,but most of them appear in the theoretical cycle in the form of single firm study.Therefore,the author thinks that it is necessary to have phenomenon researches for the firms adapted from Chinese dramas when there is no group research.The first chapter takes the 1994 as the time node to determine the research scope if the adopted firms and summarize the main changes of the firms before and after1994.The second chapter is based on the most import line art of the drama,it analyzes the change of the lines in firm conversion as per different forms and different effects to put forward the gains and losses during the process of adaption.The third chapter is in accordance with the performances of the characters to compare the performance before the scene with the performance on the stage to research the similarities and differences between the stage performance which relies on the “actors”and the scene performance which takes “director” as the center.And the fourth chapter pays attention to the unique audiovisual art of film aesthetics,and analyzes the problems faced by adaption,such as scene,light and sound,etc.How to reasonably make use of the film elements is the main problem discussed in this chapter. |