The Research About Oriental Spirits In The Water Of Chinese Watercolor

Against the background of the integration of world cultures,the mutual exchanges and collisions between Chinese and western art are increasingly frequent.Contemporary Chinese watercolor painting is rooted in the soil of Chinese traditional culture,and develops vigorously by integrating Chinese and western cultures.Generations of Chinese watercolor painters have explored the connection between traditional Chinese culture and "water" in watercolor,which is a foreign art style.They have embodied Chinese elements and presented Oriental artistic conception in their works,and constantly innovated and expanded the artistic language of Chinese watercolor with their unique artistic appearance.In traditional Chinese culture,"water" is the source of all things,and the Oriental philosophical thoughts with Confucianism,Taoism and Buddhism as the core have different interpretations of "water".Based on the exploration of the neo-confucianism origin of "water" in Chinese traditional culture,this paper focuses on the current situation and approach of the integration of "water" and "Oriental artistic conception" in contemporary watercolor paintings.This paper first expounds the artistic characteristics of the noumenon language of water in western watercolor art,the emotional expression of color in watercolor,and the relationship between water and color in watercolor painting.Then the concept of artistic conception in the Middle East of Chinese traditional culture is defined in depth and precision,and the neo-confucian origin,spiritual characteristics and aesthetic characteristics of "water" culture in Chinese traditional culture are sorted out.This paper reviews the development process of Chinese watercolor nationalization,and traces the growing track of continuous integration of Chinese watercolor and Chinese painting in different historical periods due to the common medium "water" of Chinese watercolor and Chinese painting.Of watercolor painting and analyzes the characteristics of the traditional Chinese painting on the water techniques,the water transparency,contingency,immediacy,rich texture and the actual situation in raw water features,such as in-depth exploration,the commonness of both on the painting language features,and the innovative ink painting techniques of Chinese painting in the contemporary Chinese watercolor painting reference and integration.Bound by "water",Chinese ink painting and watercolor painting have similarities and differences.The profound cultural background of China has brought up the keen sense of painting of the Chinese people.The long history of water use in Chinese painting has endowed the unique Oriental aesthetic consciousness of Chinese watercolor painting.Second part of the article,from the beauty of artistic conception of Chinese watercolor water features,the water blending of freehand brushwork in traditional Chinese painting vividly,to reflect the Oriental aesthetic concept of the abstract schemata and visual display,the article further comb and summarizes the contemporary Chinese watercolor painter of personalized language in their own works by "water" the Oriental artistic conception.Finally,is the embodiment of the national spirit in contemporary Chinese watercolor and its future trend of the development of a series of thinking,in the hope of innovation in the history of Chinese watercolor in water techniques national language form,excavate the contemporary Chinese watercolor in the aesthetic connotation of "water",make the traditional Chinese aesthetic consciousness,Chinese aesthetics and western watercolor painting technique theory of complementary coexist,multi-level,three-dimensional to construct the creation of Chinese watercolor language,in the hope of eventually embodies the Chinese watercolor era significance and aesthetic value.This paper summarizes the cultural value and historical mission of Chinese watercolor in the new period as an active "cultural promotion" of China to the world.