Research On The Classification Of Zhou Bangyan’s Ling Ci

The canonization of Zhou Bangyan’s Ling Ci reflects the independent aesthetic status and value of his Ling Ci,and is also an important part of the canonization of Zhou Bangyan’s Poem.The dissemination and acceptance of Zhou Bangyan’s Ling Ci mainly went through four periods: Southern Song Dynasty,Yuan Dynasty,Ming Dynasty,Qing Dynasty and Modern.It can be roughly divided into two stages: in Song and Ming Dynasty,criticism and controversy had not yet formed a general atmosphere,nor did it form a theory of flag-raising.The literati’s concern for Zhou Bangyan’s Ling Ci mainly lies in sub-rhyme,creative learning and imitation.On the other hand,The criticism of literature has become a trend,and the Qing people’s summary of Poem criticism of the previous generation has also risen to a new height.In the contest of Poem and Poem criticism,the Muslim Poem classics have been established and their status has been upgraded.In modern,Chinese traditional criticism and western modern thoughts and criticism methods converge,and the study of Zhou Bangyan’s Poem has formed a comprehensive and diversified situation.In Zhou Bangyan’s Poem classics,the study of Zhou Bangyan’s The connotation is confirmed and the classicization process is completed.This paper explores the classicization process of Zhou Bangyan’s Ling Ci and explores the significance and influence of its formation through sorting out three aspects: the situation of Zhou Bangyan’s Ling Ci,the dissemination of Zhou Bangyan’s Ling Ci in selected editions of previous dynasties,the change of Zhou Bangyan’s Ling Ci’s status and connotation in literati criticism and controversy of previous dynasties.