The Poetic Study Of Fine Brushwork Figure Painting In National Art Exhibition

This paper mainly studies the poetry of the national art exhibition.Since the 20 th century,with the deepening of Western learning,the influence of Western culture and art on Chinese traditional painting has also had a significant impact on meticulous figure paintings,which has prompted the development of meticulous figure paintings to flourish.In the short period of more than 60 years,the National Art Exhibition has achieved remarkable results and presented a variety of styles.Many excellent meticulous figure paintings have appeared in the exhibition,but some deviations in its development process need to be caused.Adequate attention.For example,Lang Shao jun mentioned in the article "Top Ten Problems in Contemporary Chinese Meticulous Paintings" that there are a series of problems in the national art exhibitions,such as the style of the popular,the weak imagination,the lack of true feelings and the lack of independent thinking.In view of the new problems in the development of meticulous figure painting,this paper intends to take the poetry of the national art exhibition figure painting as the research object,to explore the embodiment of poetry in contemporary meticulous figure paintings,thus alleviating the problems of the national art exhibition figure paintings,reminding The painter creates more poetic and outstanding works.However,Chinese meticulous figure paintings and Chinese poems belong to the category of Chinese traditional art.After thousands of years of historical evolution,they still stand as a forest of modern and contemporary art as a Chinese intangible cultural heritage,and shine in many contemporary art.It is sought after by many contemporary artists,which shows that they are the essence of Chinese traditional art,and it is the standard for the aesthetic pursuit of Chinese meticulous figure painting.Integrating poetry into the creation of meticulous figure painting is one of the ways to avoid the problems of contemporary meticulous painting,and it has certain practical significance and feasibility.This article takes poetry as the foothold of the article,and combines the creative characteristics of the national art exhibition’s meticulous figure paintings to elaborate the characteristics of the poetic works of the author’s ideals.These qualities include the true meaning,the real and far,and the resignation.And so on,the comprehensive manifestation of these traits triggers the viewer’s imagination.The vivid artistic image naturally leads the viewer’s perception of life and the use of personalized pen and ink language forms in the works can attract the viewer’s sensory stimulation.In this sense,the poetic features of meticulous figure paintings are in line with the aesthetic pursuit of excellent meticulous figures.To a certain extent,the poetry in today’s meticulous figure paintings provides the possibility to inherit and develop traditional art.At the same time,the poetic features in contemporary meticulous figure paintings are also a unique embodiment of Chinese painting.This paper demonstrates it from four aspects,The first chapter,through the interpretation of the concept of poetry and the combing of the historical context,explores the historical origin of poetry from the relationship between traditional painting and poetry.The second chapter is the key chapter of the article.It mainly analyzes the appearance of poetic expressions in the works of national art exhibitions.The main forms are heroic poetry,poetic poetry,poetic poetry,implicit poetry and natural poetry.And the poetry of the wild,and so on,through the analysis of typical poetic features in paintings and poetry,to find the value of poetic existence in the national art exhibition.The third chapter is the most important chapter of the article.The article combines the painting language features of meticulous figure paintings,and carries out case analysis from five aspects: the conception,modeling,composition,pen and coloring of the works,aiming to explore the national art exhibition.The inheritance and breakthrough of the poetic method in the figure paintings provide certain data support for the art practice and theoretical research of the art exhibition.In the fourth chapter,the conclusions of the thesis respectively explain the value of the research of the national art exhibition from the status quo and thinking of the national art exhibition.The value of the research is positive to the inheritance of the poetic aesthetic in Chinese traditional culture,and also the poetry of the meticulous figure painting.The expression in creation also plays a role in promoting innovation,and has far-reaching significance and value in the development of Chinese art today.