A Study On The Female Image In The Classic Adaptation Of Mangrove Bay

"Red Classics" is a newly born art work in the context of Chinese culture.It is recognized as a unique "red landscape" in the literary and art circles.In recent years,the film and television adaptation of the "Red Classics" has become one of China's important cultural events,which is the result of the combined effect of multiple cultures during the transformation period.In this article,the red classic adaptation script is selected as the research object.The main theoretical basis is based on the theory of "element of action" of Gremars and the theory of "second sex" of Beauvoir.Using various research methods such as literature research,comparative research,cultural poetics,the female images in the red classic adaptations are studied from the perspective of female images.By interpreting the multiple types of female images in the red classic adaptations,the methods and values of female images are analyzed.On the basis of reflecting on the status quo of the adaptation of the "Red Classics",suggestions are made for shaping the image of women,with a view to making a certain contribution to the creation of the Red Classics adaptations.This article is divided into six chapters to study the female image in the red classic adaptation.The first chapter defines the related concepts of the red classic adaptation,and elaborates the theoretical basis used by the female image research in the red classic adaptation.Firstly,the concept of "Red Classics" was defined on the basis of reading a lot of literature,and then the concept of the adaptation of the Red Classics was summarized.Secondly,the Marxist literary theory,semiotics,Beauvoir's "Second Sex" theory and intertextuality theory involved in this article are explained.Due to the interaction between social existence and social consciousness,the different stages make the direction of social literature research and the public's aesthetic needs also change in a subtle way.Therefore,the study of female images in red classic dramas is closely related to the development of the theory.The second chapter takes the well-known red classic adaptations as research objects,and interprets the plural female images in the red classic adaptations.Firstly,according to the longitudinal development of female image revolutionary consciousness awakening,bursting,and sublimation as the basis for dividing female images,female images are divided into three types:oppression and liberation,resistance and growth,dedication and sacrifice.It is hoped that through the research method of detailed analysis of female images,the ultimate purpose of analyzing female images in red classic adaptations can be achieved.The third chapter studies the context of the female image in the red classic adaptation from the cultural context.The context is divided into four parts: historical cultural context,political cultural context,visual cultural context,and consumer cultural context.Therefore,it is concluded that the historical and cultural context is the basis of female image construction,the political and cultural context is the essence of female image construction,the visual cultural context deeply digs the connotation of female image construction through visual means,and the consumer cultural context is to change the aesthetic concept Based on the conclusion,it has a subtle influence on the construction of female images.The fourth chapter analyzes the uniqueness of the female image construction method in the red classic adaptation from two aspects: narrative strategy and image language expression.First,the clever use of narrative strategies makes female's images fuller.First,the linear narrative structure,"fictional" narrative structure,and "dramatic" narrative structure in the narrative structure enable the red classic adaptations to shape female's images in a clear narrative context;The combination of sexuality and drama,the setting of epic and sublime plots makes female imagery more typical.Third,the use of omniscient perspective and first-person perspective in the narrative perspective enables viewers to participate in narrative in the perspective of female images,enabling women The image has perspective and authenticity.Secondly,the image language expressions that shape female images include three aspects: visual language,auditory language,and montage.First,the unique use of music,sound,and lenses in the Red Classics adaptations vividly expresses the revolutionary emotions and revolutionary spirits of female characters.Second,the means of symbolic montage,repetitive montage andpsychological montage are to beautify the creative means of female images,making the transition of the lens and the connection of narrative more natural.Chapter fifth is based on the feminist philosophy as the theoretical basis,and expounds the value and significance of constructing female images in the red classic adaptations.First of all,from the perspective of social values,the construction of female images promotes the awakening of female's consciousness and the promotion of female's right to speak.Secondly,from the aspect of aesthetic value,the daily revolutionary narrative and sublime ideological connotation are the unique features of the red classic adaptation from other TV series.Chapter sixth starts with the current limitations of female image creation in the red classic adaptation dramas,with a view to addressing the "empty" and "typed" phenomena in female image creation,and proposes respecting the original and constructing a revolutionary female image with the spirit of the times And other feasible suggestions.