The Research Of The Sub-role In Song And Jin Dynasties

Chinese opera is a form of stage performance which is constructed with the role system as the key,so the appearance of role has an important position in the history of development of Chinese drama.Although the Song and Jin dramas did not develop a role system,they have had a significant impact on later operas.During the Song and Jin dynasties,after the development and integration of various performing arts,they formed the prototype of ancient Chinese operas,namely Song dynasty and Jin Yuanben.Song dynasty and Jin Yuan’s undertakes Song and dance performances in Tang Dynasty,Funny performances,and A variety of acrobatic performances,Inheritances Yuan dynasty and Ming and Qing Legends,show its key status.The study of the role and function of Song and Jin operas can not only make us understand the essence of Chinese classical operas,but also promote our exploration of the performing arts on the stage of contemporary operasIn the studies of the role of Song and Jin dramas,scholars paid more attention to the fixed permanent role of "Moni","Yinxi","Fujing",and "Fumo".And ignored the "Xitou","Zhuangdan","Xidan","Cudan","Zuanggu","Suan","Xiao","Ruo","Jue"(Jue),"Zheng","Hao","Sun","He"(He)and "Duzi" and other "role" combing and analysis.From the perspective of the number of these "special characters" that existed in the historical materials of the Song and Jin Dynasties,they were relatively rich and optimistic,especially in the names of "official drama series" and "Jin Yuan’s name"."Suan","Xiao","Ruo","Jue"(Jue),"Zheng","Hao","Sun","He"(He)and the "role" of the name.This article is based on historical materials such as "DuChengJiSheng","MengLiangLu","DongJingMengHuaLu","WulinJiuShi","ShaoShiShanFangBiCong",and "Jin Le Research".Through the source,function and performance form of the "sub-role" revealed in the historical materials of the literature,combined with the latest research results and the author’s bold and sensitive findings,the author makes specific analysis and reasonable speculation and argumentation.Through research,This article draws two conclusions: one,"Xitou","Zhuangdan","Xidan","Cudan","Zuanggu","Suan","Xiao","Ruo","Jue"(Jue),"Zheng","Hao","Sun","He"(He)and "Duzi " are all "sub-roles" between the role and the non-role.The formation of the "sub-role" system is a dynamic process.It seems to be chaotic and regular,and it lays a good foundation for the mature form of Chinese classical Opera.