The Study Of The Female Image In The Ancient Costume Film In The Period Of Isolated-island

As a gray area between nationalism and colonialism,the Isolated-Island of Shanghai has always been labeled with a special and ambiguous identity.For the production and dissemination of films at that time,it can be called a marvelous scenery.As a result of the war,Shanghai,as the center of China’s film,has lost the favorable development environment before the war.Film companies and film directors began to shift to the main rear in large batches.However,As the Isolated-Island on the other side of the line of war is a landscape.,the Short-lived peace under colonial siege and the influx of refugees have indirectly led to the abnormal economic prosperity of the concession area and created a relatively free and open space for film culture has set off a competitive boom in commercial films.On the one hand,the film speculators are in desperate situation,in the face of the expanding market demand to expand their production share,produced a large number of commercial entertainment films;On the other hand,progressive playwrights who stick to Isolated-Islands on behalf of left-wing cultural forces quietly entered the film world,created a large number of patriotic historical themes,and cooperated with filmmakers who also stayed on Isolated-Islands.Integrating this kind of nationalism into the commercial films,the ancient metaphor to express the feelings of home and country.the ancient costume film also comes into being under the combined force of business and politics.First of all,this kind of ancient costume film,which depends on the traditional narration and popular plot,can cater to the aesthetic psychology of the audience,and can also avoid the movie censorship of the concession.In addition,historical stories and folklore are used as the basis for ancient costume films,including the eulogizing of heroes who resist the enemy and resist aggression,and the ancient costume films also carry the mission of making a sound for the country and the nation.And the women who maintain the production,propaganda and performance of antiquefilms play an important role in this kind of business strategy and political discourse.First of all,there is no lack of depiction of women in the Isolated-Island ancient costume film.The appearance of female body as a sensory stimulus has become the commercial selling point in the context of mass consumption.Secondly,there is a kind of historical consciousness behind the female images in the ancient costume films.As the narrative subjects of the ancient costume films,they are endowed with a patriotic symbol of loyalty and integrity in the play,Especially for colonial men who were castrated by colonized men,they were even more of a dreamy "savior".However,the body consumption and nationalist narration behind this female image is more based on the principle of male narration,and the consequence is that the "female" becomes the "other" manipulated and disciplined by the male.And the loss of woman’s "true",and eventually make women into a complex identity.Through the cultural carrier of the image of women in the Isolated-Island costume film,and taking it as the main research object,we can see how the film industry at that time survived in the difficult social,political and economic environment.On the one hand,the female body consumption reflects the modernity symptom of the semi-enemy-occupied concession area and the mass culture of the citizen class,and directly reflects the commercial strategy of the film industry of IsolatedIsland,On the other hand,the narrative of national salvation behind women also refers to the film "island" in the "barbaric growth" while still sticking to the pure land of patriotism,from the screen image structure around the female characters,the image style.A clear hole in the narrative strategy can be seen in the form of the text skillfully wrapped in the national consciousness.At the same time,I try to write the historical mirror image of the female image in the "isolated Island" ancient costume film more objectively.This article also goes back to the film criticism of that time,a glimpse of the female image criticism of the ancient costume film under the male discourse,in a sense,The evaluation criteria of various intellectual groups for women are precisely their evaluation criteria for Isolated-Island films.Isolated-Island films and "women" have the same structure,and they are all the objects of nationalism /patriarchal judgment.Being in the enclave can be called "disservice",but at the same time,it is expected to save the nation.This article will take the female image in the Isolated-Island ancient costume film as theresearch object,uses a microcosmic,integrated academic paradigm to explore the survival strategy reflected by The "isolated island" film or Ancient costume film on the "female".It also discusses the existence of semi-colonial women under patriarchal / nationalist circumstances.The first chapter mainly discusses the development environment and basic condition of the ancient costume film in the period of Isolated-Island.Through the consideration of the political background,business environment and social environment of the prosperity of the Isolated-Island ancient costume films,this paper points out the commercial strategy and political discourse of the "ancient clothing film".The second chapter mainly discusses the business strategy and political discourse expressed in the Isolated-Island ancient clothing film,which is precisely realized through the discipline of the body of "female image" by men,and thus leads to the female subject crisis.The third chapter mainly starts with the image and narrative strategy in the film text,and analyzes how the ideology behind the female character in the ancient costume film is generated by the image and narrative strategy.In the last chapter,the author discusses the female image of the ancient costume film from the view of multiple criticism.