Study On The Harmony Technique Of Huang Anlun?s Piano Concerto No.1 In G Minor

Huang Anlun,a Canadian Chinese,is a famous contemporary composer,conductor and pianist in China.Piano Concerto in G minor(1984)studied in this paper is not only one of the representative works of Huang Anlun's symphony,but also an important work included in the collection of Centennial works of Chinese music.Through the analysis and Research on the harmony techniques of the song,this paper sums up Huang Anlun's unique harmony techniques and creative ideas.The paper is divided into five parts.Chapter one,the background and general analysis of Piano Concerto in G minor.In this chapter,through understanding the creation background of the song,analyzing the structure of the form and the use of the melody materials of the northern part of the Great Wall folk song,it will play a theoretical supporting role in the later discussion of harmony techniques.Chapter two,harmonic materials and processing methods.This chapter discusses the harmonic materials and handling methods of this song from four parts: three-dimensional structure chord,four and five dimensional structure chord,five longitudinal chord and composite chord.Chapter three,the tonality in compound thinking.This chapter discusses the four parts of Huang Anlun's original "multi tonality in the traditional mode horizontally",the multi synthesis phenomenon of compound mode and multi tonality,the multi synthesis phenomenon of mode tonality and the five tone mode factors in the twelve tone sequence,and explores the composer's compound mode thinking.Chapter four,the harmony mode of the combination of Chinese and western in four aspects: parallel progression,continuous progression,harmony progression of various root sound relations and semitone lineation.Conclusion: on the basis of the analysis and research of the above four chapters,this paper sums up and summarizes the characteristics of nationality and modernity reflected in the harmony language of Huang Anlun's Piano Concerto in G minor,as well as the creation idea and influence on Chinese national music.