A Study Of Aesthetic Concepts In Liu Shao’s Renwu Zhi

Liu Shao’s Renwu Zhi in the late Han Dynasty and early Wei Dynasty not only reflects the ideological characteristics of the transitional period,but also reflects the academic trend of thought in the transitional period.Therefore,the chronicles of personas is a theoretical summary of the practice of political examination in Han Dynasty,which has a systematic logical system and theoretical form,and also contains Liu Shao’s understanding of the development and change of personage aesthetics.In terms of human aesthetics,in the pre-Qin period,it mainly served for the claims of political king,hegemonism and inaction.Individual differences were ignored,while human personality belonged to the state of being concealed.Aesthetics was concentrated on the subjective spiritual requirements of a few outstanding people.Liu Shao drew lessons from the theory of yin-yang five elements and the aesthetics of "gasification" on the basis of the generation of the universe and the observation of officials in the Han Dynasty To realize the integration of various thoughts and the innovation and development of the previous academic thoughts,therefore,in the chronicles of personas,not only the theoretical system of talent evaluation but also the realization of people’s aesthetic consciousness are summarized,that is to say,for the aesthetic of people,the focus of aesthetic is changed from the moral concern of the pre Qin Dynasty to the concern of talent,and then the aesthetic concern of human charm and spirit.In this transformation,people’s individual Sex is valued,people’s own aesthetic object,people gradually get rid of the status of vassal.Therefore,Liu Shao’s aesthetic ideas in the chronicles of people mainly focus on ideological characteristics,academic thoughts,aesthetic connotation in the system and aesthetic characteristics of human beings.The thesis consists of three parts: introduction,body and conclusion.The introduction is a brief overview of Liu Shao and the chronicles of people,the current research situation in the academic circle and the research ideas of this paper.The body consists of six chapters,which respectively discuss the aesthetic concept and conclusion of the chronicles of people,which are the summary of the aesthetic value and influence of the chronicles of people by Liu Shao,as well as the emphasis and deficiency of this study.Specifically speaking,the first chapter discusses Liu Shao’s contribution to the era of people-oriented aesthetic concept,which lays the foundation for the consciousness of spirit and art in the Wei and Jin Dynasties.Liu Shao’s focus on people is shifted to the perspective of philosophy noumenon,self-organization and talent change,as well as the relationship between "people’s records" and the political thought and the spirit of the era in the late Han and early Wei dynasties.From the perspective of political practice and academic trend of thought,it discusses the "people’s records" The theoretical achievements are related to the times of metaphysics.Therefore,we can highlight the aesthetic value of human beings.We can see Liu Shao’s reference to the aesthetic thought of "gasification" in Han Dynasty and his transcendence of the mysterious atmosphere of Chenwei in Eastern Han Dynasty.Therefore,we can dialectically view the relationship between the theoretical form and the change of temperament.Therefore,we should pay attention to the beauty of differences in personality and highlight the excavation of wisdom and beauty of personality.The second chapter discusses the influence of persona on the aesthetic tendency of literati in Wei and Jin Dynasties.Persona is not only the theoretical summary of talent appraisal,but also the aesthetic direction of persona appraisal.First of all,people’s character and spirit are classified as the influence of Yin-Yang and Qi,on which the "Qi" character aesthetic evaluation system is formed.Secondly,people’s records contains Liu Shao’s unique understanding of sex,emotion,virtue,beauty,spirit and spirit.In order to better understand Liu Shao’s theoretical innovation,Liu Shao started from the perspective of the wind of divination in the Eastern Han Dynasty and understood his transcendence of political limitations.Liu Shao integrated the form of "Qi Theory" in the Han Dynasty into the theoretical contribution of the characters’ blood and personality,highlighted his recognition of the Confucian "he" aesthetic concept,political utility and The time neutralization of aesthetic pursuit.The fourth chapter discusses the aesthetic form of "hero" in the chronicles of personas.From the end of Han Dynasty to the beginning of Wei Dynasty,it is the key period for the formation of "hero" aesthetic form.Liu Shao uses the dichotomy of yin and Yang and combines the aesthetic consciousness and political nature of the characters to make the aesthetic form of "hero" more clear and valuable.As far as the development of classical aesthetics is concerned,the aesthetic form of "hero" is the inheritance of the aesthetics of Han Dynasty.Liu Shao uses "Magnificence" to connect the aesthetic theme of "taking sorrow as beauty" of Han Dynasty.Liu Shao’s exploration of theaesthetic form of "hero" led to the derivation of the magnificent and handsome in the late Wei and Jin Dynasties,which had an impact on the aesthetic taste associated with the form,spirit and value.