On The Features Of Speech Ontology In Jin Yucheng’s Fanhua

As the most representative style of the ancient novels,story-teller’s script not only have the origin relation with the classical Chinese novels in the plot and so on,but also have the great similarity with the chapters novel.If we want to grasp the characteristics of story-teller’s script more accurately,it depends on the careful analysis and inspection of its style.Jin Yucheng is one of a growing number of contemporary writers seeking to tell stories in traditional ways.He set out from the prose to seek the conjunction between the modern reading text and the traditional narrative way,and took the story-teller’s script as the breakthrough point,truly tried and used the way of telling stories in the ancient novels,borrow the formula of the script to tell a life in a seemingly insignificant small story.While returning to the development of traditional literature,he also found a brand-new way to tell the story.This thesis focuses on the traditional story-teller’s script and Jin Yucheng’s novels,and explores the relationship between the Noumenon of Speech Ontology and Jin Yucheng’s works in order to find the balance between tradition and modernity.The paper consists of five parts:The introduction mainly discusses the background and significance of the topic,and discusses the current situation of the research on story-teller’s script and Jin Yucheng’s creation.According to differenttheoretical literature to understand and explore the concept of Script for story telling,grasp different scholars in the eyes of different concepts.The last section explains why Jin Yucheng used the Noumenon in his writing.The learning environment and listening atmosphere like a book field gave him a broader imagination,as well as a certain classical consciousness and aesthetic tendency.The first chapter discusses the characteristics of Speech Ontology in the theme of Fanhua,which is divided into two sections.In the First Section,taking the urban space as the object,the author discusses the function and symbolic significance of the dinner and the lane in Fanhua.In the second section,starting from urban time and space,the value orientation and subject consciousness of different periods are highlighted through the development of political scar,religious reposing,desire and life.The second chapter discusses the characteristics of Speech Ontology contained in the structure of Fanhua,which is divided into two sections.The First Section from the traditional style of the traditional text,to understand how the six elements of the standard article in Jin Yucheng’s pen,and in terms of content,is how to take advantage of a rather classical characteristics of the system.The second section mainly from the narrative structure,combined with the unit-style suffix and the "Three-fold" structure in the traditional script,to understand the uniquenarrative pattern and thinking mode in the classical novel,and further grasp the development of the affixing segment and the innovation of narrative structure.The Third Chapter Discusses The discourse of "Fanhua" contained in the characteristics of the Speech Ontology,the chapter is divided into three sections.The First Section starts from the image discourse,taking the embroidery portrait painting in the traditional Chinese script as the representative,and taking care of the illustration of Jin Yucheng’s own novels to understand the artistic beauty and the image expression that the author wants to pursue.The Second Section begins with the narrative discourse,mainly analyzes the local characters’ dialogues and the combination of rhyme and prose in Jin Yucheng’s works,and demonstrates the affinity and popularity of the Noumenon novels with the unique urban language.In the third section,according to the characteristic of psychological description in traditional Chinese script,Jin Yucheng expresses his characters’ psychological space by "soundless",this paper analyzes the characters and the characteristics of the Times expressed by different writers in different periods.The conclusion part,carries on certain summary to this thesis.In view of the current acceptance of the mass of the subject of discourse,this paper tries to find out more places worthy of study and reference for the current writers according to the new development of the film and TVworks and the subject of discourse.Through the writing of Chinese characters and the re-creation of the traditional literature system,it adds more unique connotation of traditional culture to the development of Chinese literature and displays more abundant charm of traditional culture to people.