Women’s Imagination In Yan’an Literature And Art

The particularity of yan ’an’s literature and art determines its importance.It is not only a part of Chinese literature and art in the first half of the 20 th century,but also the basic embryonic form and future trend of new China’s literature and art,as well as its literature.As a tool of revolutionary battle,yan ’an prints display a series of historical scrolls,which are also an indispensable part of yan ’an literature and art.Focusing on yan ’an literature and printmaking,this paper,from the perspective of interdisciplinary research,uses feminist theory,intertextuality theory,history,sociology,art,text analysis and other theoretical resources and methods to investigate the image of women in yan ’an literature and art,and discusses the female imagination in yan ’an literature and art.Based on the study of women’s images in yan ’an literature and art,this paper focuses on their literature and prints,and uses the method of intertextuality to find that women’s images in yan ’an literature and prints are not only independent and parallel,but also intertextuality such as repetition,transfer,emphasis and supplement.Under the influence of ideology,nationalism,folk culture,literature and art policies,and the expectation horizon of the recipients,the two have formed a high degree of consistency in the image of women,which has the characteristics of political literature and art.At the same time,because the form of literature and art is different,namely "poetry and painting" in the differences of conception and expression,"the poem in the painting do not produce this kind of painting,the painting also does not produce the poem in the painting"(Lessing),as well as the creator of life experience,emotional and sexual identity,creating demands on different,formed the yan ’an literature and art on the women image "to write" homogeneous heterogeneous effect under construction.This paper is divided into three parts.Part one: the performance of women’s status in yan ’an literature and art.This paper mainly discusses the formation of women’s identity in the liberated area of yan ’an,making them revolutionary participants,property owners and political voters,and realizing the identity of women from scratch.In the context of the enlightenment of science and culture,a new image of women has been created,that is,cutting and distributing feet,reading books,and paying attention to science and health;It concretely shows the transformation of women’s status from the attachment in the past to the "right" person from the body to the spirit now.The second part: yan ’an literary women image type shaping.The first category is the feudal backward women;The second type is the heroic mother type;The third group is the revolutionary new-born women.The image of backward women in the feudal society is in sharp contrast to the image of advanced women in the revolution,which reflects the persecution and destruction of women in the traditional patriarchal society and the transformation of backward women in the feudal society by the new regime.The heroic mother sent her son to join the army,giving up her private life for the common good and not fearing sacrifice.At the same time,the mother and son in the war,because of their common nationalist values,went beyond the common blood relationship and ethics,re-established a new mother-son relationship.On the one hand,women accept the transformation of revolutionary discourse,and family emotions become public,organized and politicized.On the other hand,rural women start a new life with the help of the border area government and express the transformation process of their ideological state and spiritual outlook.Part three: the interaction and paradox of the yan ’an love and marriage theme.In the context of yan ’an,the border region government gives women the right of marriage autonomy in the form of laws and regulations,and gives women the freedom of marriage and love.Literature works and prints display a happy marriage form a response,highlighting the political power of the dominant role in the marriage relationship.Literary works not only describe women’s freedom of love and marriage,but also show the limitation of women’s liberation,and reveal the shackles of male chastity on women’s body and mind.In the revolutionary ranks,marriage resources are automatically favored to male cadres,young educated women are trapped in a good marriage relationship organized by "distribution",and men take "revolution" and "progress" as politically correct reasons to abandon the "backward" "wife",which covers women’s demands for life.