The Phenomenon Of "The Worship Of Tao Yuan-ming And The Contempt Of Xie Ling-yun" In Song Dynasty And Analysis On Its Poetics

The fame of Tao Yuan-ming and Xie Ling-yun have been shining for thousands of years in the history of Chinese poetry.Observe their reception process,there is transposition in the coexistence,and Song Dynasty is the turning point of conversion.There are two reasons for the phenomenon of "the worship of Tao Yuan-ming and the contempt of Xie Ling-yun" in Song Dynasty.One is that before the Song Dynasty,there was no dispute about the acceptance pattern of Tao and Xie,but in the tension movement,there was a tendency of division.The second is that Tao’s poetry is more suitable for the growth of song culture,which forces Xie Ling-yun to a secondary position.As a matter of fact,the phenomenon of "the worship of Tao Yuan-ming and the contempt of Xie Ling-yun" in Song Dynasty can also be interpreted from two dimensions.Song people often comment on poems from two perspectives of poetic style and poet’s character.In terms of poetic style,Xie Ling-yun mediates "Ci Qiao" and "talent",while Tao Yuan-ming merges "Ci Da" and "plain",they show each other’s "nature" and made Xie inferior to Tao.As far as poet’s character is concerned,Xie Ling-yun reconciles "mania" and "relaxation",while Tao Yuan-ming unifies "seclusion" and "ambition",they all showed their "self adaptation",which made Tao superior to Xie.Obviously,Tao Yuan-ming and his poems are more suitable for the socialculture of the Song Dynasty,and embody the poetic rule of "time change literature".In addition,the parallel movement of the status of Tao and Xie also proves the resonance of the concept of the ornamental and the real in the history of poetics,and it is internally connected with the philosophy of "the two polarities are mutually beneficial" stressed by Chinese culture.Of course,"tension parallel movement" is a long-lasting dispute movement,and the receiving focus will move back and forth between the objects.The acceptance of Tao and Xie’s poems will enter a period of continuity,recovery and transposition again after the debate of Song Dynasty.