An Analysis Of The Psychological Structure In The Language Of Modern Figurative Painting

The style of modern figurative painting is very diverse,and the painter’s painting language is also very different.Every painter has his own subject matter and content.They tend to be fond of portraying certain things.And their unique painting language must have its special psychological roots.Behind the paintings is a series of complex psychological activities or psychological phenomena,which are all important parts of the psychological structure.In this article,the work of the Spanish surrealist painter Eduardo Naranjo is taken as an example to analyze the internal relationship between the psychological roots behind some of the images often depicted in his works and the actual environment in which he is living.And the evolution of the characteristics of painting language in its various periods.This will help us understand how the artist draws energy from the real life in which he is living,and how he transforms it into his own painting language.The actual environment in which the artist is living affects his psychological structure.The psychological structure is reflected in the painting language of the work.Take the Naranjo case as inspiration.Thinking about the intrinsic relationship between the language of painting and the psychological structure helps me to better practice my artistic creation.It can also promote my new creative perspective.Or a new understanding of the language of figurative painting.Through the analysis and thinking of the psychological structure in the figurative painting language,it will be helpful to the formation of my own painting language.This article is divided into four chapters:The first chapter briefly introduces the reason of this article and creative ideas,inspired by the Rorschach ink stain test in psychology,and thinking about the inner connection between paintings as images and human psychological structure.The research significance and value of this topic are expounded briefly.The second chapter takes Nalanhuo’s paintings as an example,and analyzes the painter’s unique complex of certain themes or objects in life,such as shabby wooden doors,picture frames,mottled walls,and incomplete figures.The important role of memory and subconsciousness in his works.And the context of the development and change of figurative painting language in its various periods under the influence of psychological structure.Analyze the psychological structure behind its figurative painting language,and consider the evolution of its painting language from the perspective of artistic psychology.The third chapter expounds the creative ideas,materials,and expression methods of his own works,and uses the microscopic objects in real life as the description objects to explore the way in which psychological structures are presented in his works.A new perspective on the expression of painting language with the characteristics of individual psychological structure.The fourth chapter concludes the thought and viewpoint of the full text.Analysis of the inner connection between psychological structure and painting language.Explore the path of psychological structure in your own work.