Calligraphy And Design Of The Dialogue-"the Sacrificial Vessel Tablet" Font Form Design Research

Today’s Chinese graphic designers have a common question about font design;why do we have a large font in the font,compared to the Chinese font is very few.The same is true of the theory,whether it is Western font design or layout design,there are such as Mr.Kobayashi Zhang "Western font" as a representative of the theoretical study.We have a large calligraphy theory system and practice in China.For thousands of years,every set of calligraphy works can have a lot to be done.Over the past few years,Chinese designers through a variety of platforms and Western design exchange,more established cultural self-confidence and calligraphy font research attention.Practice is the leader of the Chinese font is the leader of the Founder and Han Yi font first team design research calligraphy font development.However,the process of writing for the development of calligraphy and the theory and theory,but few people mentioned.This paper analyzes the design of today ’s fonts from the perspective of the form of calligraphy,and tries to develop a calligraphy font and develop the possibility of calligraphy in the design of words through the study of "ritual monument".The first chapter of this paper expounds the formation of the subject,the research significance of the subject and the research direction and method.Through the analysis of the background and methodology of the subject,the significance of the existence of the subject is explained in depth.This article first elaborated the concept and characteristics of the inscriptions,mainly on the font design of the relevant norms and priorities.And from the calligraphy art in the form of text analysis,to explore the calligraphy on the face of the graphics,the characteristics of the body.Analysis of contemporary font design and calligraphy related to the content and form of development changes.In order to provide practical support for my graduation design.Finally,through the study of the famous Han Li "ritual monument" structure,through the data to build my graduation design content.Through the study,I believe that only our team of traditional cultural heritage research more comprehensive and more thorough,in order to inherit the design of the more natural,more effective expression in order to form a classic and cultural and cultural interaction and organic continuation.This article on the calligraphy art in two aspects and the relationship between visual design analysis,which can better inherit the essence of traditional culture.