Handel’s "Utrecht Te Deum,HWV 278" Rehearsals And Conducting Interpretation

Handel’s " Utrecht Te Deum.HWV 278" is one of the representative musical genres in the late Baroque period.In this paper,the author analyzes the feature description,music analysis,command and processing of the works,and the sound training method of the works.In addition,through the comparative study of the two recorded versions,combined with the analysis of the total spectrum,the author summarizes the most in line with the baroque style of the recording version for reference,in the actual rehearsal so that the command learners in line with the baroque style on the basis of the basis of the second creation.It is hoped that this thesis will give command learners a better understanding How “the genre of Gratitude and praise” should be rehearsed and directed to the later study of similar genre works researchers play a role.The article is divided into three parts altogether.The first chapter mainly introduces the musical features and styles of the late baroque,and introduces the background of the composer Handel’s "Utrecht Te Deum.HWV 278 " in detail.The first part of the second chapter mainly analyzes the overall structure frame of the work,and the second part analyzes the tonality change and texture characteristics of the work.The third chapter is the key chapter of the full text.This paper discusses the sound training of the work,the style grasp of the work,the contrast of the version of the work,and the conducting Interpretation of the work,focusing on the detailed elaboration of the sound training and command techniques.Finally,the author summarizes the steps and methods of actual rehearsal.