Regional Cultural Features Of Rap Music Viewed From "Linxian Sanxianshu"

Linxian Sanxianshu is a form of rap art spread in Linxian and surrounding counties of Lvliang City,Shanxi Province.,because the main instrument is Sanxian,the locals are also called "Sanxianshu",and the main singers are blind,it is also called "Blind Storytelling." Whether it is "Sanxianshu" or "Blind Storytelling",in different cultural areas of the Sanjin Land,they are tenaciously showing their different vitality.Linxian,with its unique geographical location,complex topography,difficult living environment,and long history and culture,not only forms a backward and closed natural area,but also makes the cultural characteristics in this area present a unity of inheritance,the diversity of cultural forms,the simplicity of folk customs,the originality of artistic features."Linxian Sanxianshu" not only has the characteristics of folk rap art,but also has the charm of regional culture,it is located in a cultural area with strong cultural of the Yellow River and cultural heritage of the Loess Plateau.Therefore,this article looks at the essence through the phenomenon,based on the theory and method of ethnomusic,and draws on the existing research results in related disciplines.,the author tries to excavate the huge regional cultural characteristics behind it by using the musical morphological phenomenon of Linxian Sanxianshu.The full text is divided into four chapters:The first chapter is "Theoretical Interpretation of Regional Culture".In this chapter,the author first summarizes the representative theories of regional music culture research in the field of musicology,and lays the theoretical foundation for the author’s thesis writing.;Second,it explains the regional cultural environment of Linxian;Finally,this area is divided into three subcultural areas based on dialect phonetic characteristics.The second chapter is “the analysis of Linxian Sanxianshu’s music ontology”.In this chapter,the author discusses the morphological characteristics of the three aspects of Linxian Sanxian Shu’s "speaking","singing" and "table" one by one,and conducts a concrete analysis on the music ontology of Linxian Sanxianshu.The third chapter is "Interpretation of Linxian Sanxianshu’s Regional Cultural Features".,in this chapter,through the music ontology of Linxian Sanxianshu,the author progressively advances from different aspects such as "tool","person",and "vulgarity",and connects the living Sanxianshu with history,thereby digging out the characteristics of the regional culture hidden behind it.The fourth chapter is "analyzing and comparing the regional cultural characteristics of Sanjin rap music".In this chapter,the author first sorted out the types of rap music in different cultural areas of the Sanjin land;Then take the "Sanxianshu" rap carrier as an example to analyze and compare the Huozhou Sanxianshu,Qinzhou Sanxianshu,Pingyao Xianzishu and Xinzhou Sanxianshu from different levels in different cultural regions,thereby revealing the regional cultural feature.As a rap art form in this area,Linxian Sanxianshu is active in the lives of local people,and attached the regional culture can be developed and inherited.From the perspective of overall cognition,the author explores the regional cultural characteristics of rap music through the musical phenomenon of Linxian Sanxianshu.