Between Ideological Demands And Personal Experience

In the history of contemporary Chinese literature,there are not many literary phenomena named after a writer,similar ones include "He Qifang phenomenon","Lu Yao phenomenon","Liu Qing phenomenon" and so on.The literary phenomena embodied by these writers all show the uniqueness of the writers or the creation of their works,but also have some kinds of representativeness and have a distinctive influence on the entire literary field.If a writer can become a "phenomenon",it means that he is a literary history existence with rich aesthetic connotation,which has quite typical significance and research value,and is worthy of detailed and in-depth academic analysis as a case.Liang Bin’s literary creations shine in the gap between the times and politics.His representative work,Keep the Red Flag Flying,has become a classic in the classics.At the same time,Liang Bin’s creations have become one.His text is both a product of the times and a Aesthetic connotation beyond the times.Therefore,compared with other contemporary writers,Liang Bin’s literary creation does have a unique value worthy of special inquiry.The so-called "Liang Bin phenomenon" in this thesis means that Liang Bin’s creation not only meets the requirements of mainstream ideology,but also adheres to the literary view of "beautifying life",adheres to a realistic position,and integrates his unique life experience into literary creation And finally find the best match point between ideological requirements and personal experience expression,so that the text has a unique position in literary history in the "seventeen years" and the new period.The literary concept of "beautifying life" is the primary factor that promotes the formation of "Liang Bin phenomenon".There is a subtle relationship between Liang Bin and mainstream ideology.Although Liang Bin has repeatedly emphasized his recognition of Mao Zedong’s "literary and artistic source theory",in fact,the views he agrees with are part of his self-subject expression."Political life" is an important part of Liang Bin’s writing,but not all.The concept of "life" that Liang Bin understands has a broader scope,including social customs,life scenes,all kinds of people,and various things.He wrote of class struggle,butdid not ignore the "non-struggle",harmonious daily life.At the same time,Liang Bin emphasized the main role of the writer and the originality of the literature.He believed that the "life" written by literature was special and aesthetic,that is,it melted the writer’s unique life experience,and the writer’s aesthetic experience and thinking are also literary creation Therefore,the function of literature is by no means limited to political and propaganda functions.The purpose of "beautification" is not to cater to political needs.It is determined by the writer’s own thoughts and a beautiful vision of reality.The writer has a strong and deep feeling for the objects he shapes.This is both his ideal and the author’s life experience.Sincere expression.The standard of "beautification" must not violate the principle of realism.Liang Bin has always paid attention to the relationship between typical characters and the times,history,and real life.He emphasizes that each literary character should have an independent personality and a normal,realistic growth process.Exaggeration and fiction must conform to the laws of life and historical context.The unique life experience directly affected Liang Bin’s literary creation."Revolutionary experience" makes Liang Bin have a deep understanding of policies and revolutionary practice and self-thinking.Liang Bin can not only understand "people" from a "class" point of view,but also is not limited to classifying people by class status;Liang Bin is committed to writing a "loveful" world;Liang Bin loves life and can taste life,and "the interest of daily life" has become one of the characteristics of his literary writing.Compared with the other two Wang Lin and Sun Li of "Three Outstanding People in Hebei",we can find that Liang Bin did fit the mainstream ideological requirements at the time in writing the ideal image of a peasant,highlighting the party’s positive leadership,and emphasizing the theme of class struggle.However,there is no fundamental conflict with Liang Bin’s literary ideas.Liang Bin integrated his personal experience and the pursuit of "beautification" into the revolutionary narrative,and formed a unique literary landscape where revolutionary discourse blended with daily life discourse.Because Liang Bin insists on a realistic position and persists in his own creative personality,his novel creation retains theoriginal ecological scene of life,reveals some non-mainstream ideological factors,and expands the interpretation and interpretation space of the text.