On The Formation Of The Aesthetic Taste And The Recognition Of Cultural Identity Of Chen Jiru,a Southern Son Of The Ming Nanjiang People In The Evening

In the late Ming Dynasty,the corruption and distortion of social politics made the spiritual path of "learning and excellence" of the traditional literary tradition become difficult,and the prosperity and development of the economy promoted the change of social structure and the emergence of new cultural factors.In the tide of change of the times,the literati Yashi tries to explore the new value and meaning of individual life,looking for a new spiritual destination,a group of literati "hermit" who is different from the past has emerged.This group of literati "hermit" on the one hand claims to be hidden,on the other hand,take the initiative to participate in social activities,on the other hand,the pursuit of individual spiritual pleasure and independence,the construction of their own aesthetic taste,the construction of garden repair pavilions,flowers and fish,poetry,chess and music,enjoy the joy of life and leisure of the peaceful state,the pursuit of quiet,The spiritual aesthetic realm outside the transcendental object,on the other hand,cares about the society,pays attention to the temple,and closely communicates with the high and noble officials of the society.They are contrary to the behavior of traditional literati behind the hidden conflict between ideal and reality,the rise of businessmen and political changes make the late Ming people have the anxiety and confusion of identity,on the one hand,they in the form of fun to construct their own aesthetic world,on the other hand,and strive to adapt and integrate into the trend,In the form of aesthetic taste,the identity of the literati and the spiritual appeal of the separation are expressed.Chen Jiru is a typical of them.Chen Jiru was a great man of the late Ming Dynasty and was famous for his poetry and painting.Chen Jiru two exam failure,then chose to return to the hidden,although he is a hermit,but happy to travel,still care about the world,concerned about the court,with chivalrous spirit,so some people call him "the mountain slaughter." The frustration in the political field caused Chen Jiru to turn his mind and energy to pay attention to self-emotional will and individual spiritual needs,and at the same time,it also made Chen Jiru think and construct his self-identity.Chen Jiru tries to show the aesthetic pursuit of his artistic cultivation and spiritual realm through the aesthetic construction of interest,at the same time,Chen Jiru,as a literati,is also eager to occupy a place in the literary field,to show his own cultural identity,to obtain identity,to show the identity gap.This paper intends to use the theory of life aesthetics and the interesting theory of Burdieu to study the aesthetic construction of Chen Jiru's taste,the aesthetic idea and the deep aesthetic culture psychology behind him,and reveal chen Jiru's identity anxiety and identity appeal,in order to truly reproduce Chen Jiru and the late Ming people's living conditions,spiritual style and aesthetic psychology.This paper intends to carry out the study of Chen Jiru from the following aspects: First,from the plight and opportunity of the late Ming people in the face of the change of social and economic politics,the change of the aesthetic concept of the late Ming people",and the self-subjective remodeling of Chen Jiju to explore the basis of Chen Jiju's aesthetic taste.Then,the discussion of Chen Jiju aesthetic taste direct representation,will be mainly from Chen Jiju daily life aesthetic interest,elegant natural garden living environment aesthetic interest,collection appreciation of the three big aspects to see Chen Ji-Ju people's aesthetic creation,aesthetic experience and aesthetic concept.Finally,to explore the aesthetic psychology of the aesthetic construction of Chen Jiru's taste,mainly from The Angle of Chen Jiru's recognition of the pursuit of cultural identity of the ideal life,and then through Chen Jiru's aesthetic psychology to reveal the aesthetic psychology of the late Ming people represented by Chen Jiru,so as to better understand the aesthetic pursuit of late-textpeople and the deep meaning behind them.