| Since the beginning of the new century,the development of nostalgia has been complicated and changeable.On the one hand,the rapid development of domestic "urbanization" has exacerbated the imbalance between urban and rural patterns,and the modern people’s spiritual ecology has been challenged,and the feeling of "homesickness" has intensified;The rise of ideas has caused the nostalgia awareness of the overseas Chinese world to fall apart,and the nostalgia of the "Greater China" circle needs to be reconnected.Based on this,the thesis puts forward the viewpoint of “plural” nostalgia.The so-called "plural" refers to a state that is non-unique,plural,open,and can be discussed indefinitely.This representation is mainly projected in the writing,connotation and meaning of the homesickness of poetry in the new century.In the first chapter,the "plural" nostalgia in the poetry of the new century is presented.The homesickness writing of poetry in the new century is pluralistic: the meaning of “hometown” pointed by homesickness has changed in modern meaning,forming a writing pattern of “urban and rural commonsense”;Miscellaneous;the nostalgic writings of different geographical features are constantly converging to form a nostalgic map of "regional carnival".The second chapter is the "plural" connotation of poetry homesickness in the new century.The timeliness of the nostalgic poetry in the new century is composed of "nostalgic time" and "present time",while the spatiality is in "original space and foreign space","natural space and social space" and "realistic space and imaginary space " This triple field appears.The traditionality and modernity of nostalgic poetry in the new century are dialectical to each other,reflecting the urbanrural entanglement of modern society.The third chapter,the "plural" meaning of poetry homesickness in the new century,includes the root-seeking meaning of "calling homesickness",the inscription meaning of "remember homesickness" and the connection meaning of "dialogue homesickness". |