A Study On Female Consciousness In Bottom Writing

Since the beginning of the new century,taking the tide of "bottom literature" as an opportunity,the self-writing of bottom women has presented unprecedented new changes.System carding and grasp these new characteristics,for the healthy development of the female writing and female literature research further deepening is of positive theoretical and realistic significance.Therefore,in this thesis,three different times,different status of female Zheng Xiaoqiong,Yu Xiuhua and Fan Yusu works as the research object,with the female consciousness in the works as the focal point,the article uses the method of close reading,under the care of feminism and other related theory,the characteristics of female consciousness in the new century's underlying literature,rendering,rheological systematically comb and explore,and the female writing and reach the depth,the existence of limit and unique narrative mode is analyzed.The first chapter is the introduction,which mainly introduces the research object and current situation,and points out the method and significance of this research.The second chapter mainly studies the origin and concept of the underlying writing and female consciousness.The diversity of the underlying concepts leads to the difficulty in defining the underlying writing.Female consciousness is the focus of feminist literary criticism,which has been defined differently by many schools such as the Anglo-American school and the French school.The third chapter mainly analyzes the representation of female consciousness in Zheng Xiaoqiong's poems.Zheng Xiaoqiong,as a woman at the bottom of the early stage of reform and opening up,expressed the hardship of life of women at the bottom in her poems with cold and stern style,respectively shaping the image of lacking and awakening of female subject consciousness.The fourth chapter mainly analyzes the representation of female consciousness in Yu Xiuhua's poems.Yu Xiuhua is a rural "left-behind" in the modernization drive.Due to physical reasons,she uses poetry as a weapon to express the discrimination and oppression she has suffered,showing the physical dilemma and spiritual breakthrough suffered by Yu Xiuhua.The fifth chapter mainly analyzes the expression of female consciousness in Fan Yusu's works.Fan Yusu is a woman at the bottom of the society in the new era.She uses non-fiction to present the image of the survival of the people at the bottom.She shows her life to the public and expresses the most authentic voice at the bottom.Under the oppression of patriarchy,they step forward cautiously,take their own bottom life as the entry point,and hide their female consciousness in the works,and keep trying to seek a bigger stage for their voice.