The Influence Of Chinese Landscape Painting's Aesthetic Characteristics Of Small By The Big View On Contemporary Chinese Landscape Oil Painting

Since the reform and opening up,Chinese landscape oil painting has shown a flourishing and contending trend.A large number of Chinese landscape oil painting artists are committed to creating landscape paintings with our national symbols.Nowadays,what Chinese landscape oil paintings present is exactly China's landscape oil paintings we expect.The aesthetic feature of "small by the big view" is an important content derived from ancient Chinese aesthetic thought.As an important methodology to guide Chinese landscape painting,it contains the quintessence of Chinese traditional culture and has a far-reaching influence on the development of landscape oil painting.First of all,this paper looks for the painting spirit conceived in Chinese traditional culture from the Chinese landscape painting's aesthetic characteristics "small by the big view",which is an indispensable internal requirement in guiding the creation of Chinese landscape oil painting,it discusses in detail the content and concept of the aesthetic thought of "small by the big view",as well as the influence of its extended aesthetic spirit,writing spirit,literary spirit and national spirit on Chinese landscape oil painting.Second,from the aspect of formal expression,it analyzes the characteristics of "viewing complexity by simplicity",formal beauty of composition and "viewer is important" in Chinese landscape painting,then it uses a large number of works of landscape oil painters to prove how these three features are integrated into the creation of Chinese landscape oil painting.Third,it makes an analysis of the artistic characteristics of the representative Chinese landscape painters under the influence of the aesthetic characteristics of "small by the big view".Last,it expounds the process of the author's landscape oil painting creation by learning the aesthetic characteristics of "small by big view",and the author's feeling after creation.It uses these four parts to clarify that the direction of the development of Chinese landscape oil painting is correct,which is in line with China's new ear requirements.