| As a pioneer of music nationalization in China,Mr.Huang Zi not only created a large number of classic works,but also set a good example for the nationalization of contemporary music and the development of music education.Among them,art songs are the focus of Huang Zi’s music creation and his favorite music creation type."Chun Si Qu" is the first vocal set in the modern music history of our country,and the single "Chun Si Qu" is the song of the same name.This work is a classic among many artistic song creations.It embodies Huang Zi’s creative characteristics of modern composition theory and techniques that perfectly integrate national elements.It has survived the test of time and is still widely sung.It is a favorite work for many vocal professional learners.The author is no exception.In the process of my vocal music study for many years,I especially like Mr.Huang Zi’s works.Based on this,this paper selects Mr.Huang Zi’s "Chun Si Qu" as the research object.The structure of this paper is divided into five chapters,the first chapter is the introduction;The second chapter briefly describes the life of Mr.Huang Zi and the creation of "Chun Si Qu",starting from the historical life of the creator and then goes deep into his creation,grasping the characteristics of his artistic songs.The third chapter conducts an ontology analysis of the music itself,and makes an in-depth exploration of the work from the perspectives of harmony,form,rhythm,accompaniment and melody.At the same time,Mr.Huang Zi and his creative ideas are observed from the perspective of the spirit of the traditional Chinese literati,so as to explore the new value of the author’s creative ideas and the connotation of his works from the new perspective.The fourth chapter,combined with his own singing experience,discusses the singing and practice from the aspects of emotional positioning,pronunciation and breath,articulation,rhythm and speed,artistic conception and so on.The fifth chapter is the summary of the whole paper.Through the previous discussion,it summarizes the characteristics of the music ontology of "Chun Si Qu" as well as some practical opinions of the author on the singing treatment. |