The Cultural Turn And Spiritual Reconstruction Of Guo Xuebo's Novel Creation

xuebo Guo Plays an important role in Chinese contemporary literature as a minority writer,Because of it’s creation shows distinctive regional cultural features,ethnic style and strong consciousness of grasslands,sand plains and plateau,he was known as one of the "new Eight Horses".From the written of cultural roots in last century to ecological ethnic customs novel of the new century,his literature reflects the entire Mongolian literature from the last century to the development and changes of the new century.In over 40 years of literature creation,Guo have wrote the entire change from grasslands to desert,and his creation is not only the continuation of the eighties literary,but also open the prospection of the new era of ecological literature,in his literary expression,the desert has be a culture officially entered the literature.Guo’s nevol always reveal a strong sense of life and culture.his creation involved in various fields of grasslands,such as ecological,culture and national spirit,which formed a literary tradition included in folk cultural factors,Shaman culture and ethnic spirit.The contents of the text constituted theme for this national epic,proverbs,shaman songs is widely used in his novel;also a large number of folk tales and stories are modeled as a creative fiction;The weakness of the folk cultural heritage people situation be molded with foreign culture seeker imaged again and again.In the story and the story of nested and repeated use of creation,we can see his distinctive cultural factor reengineering consciousness.Guo’s novel replicated plot,characters typed,lineage-based and other characteristics of identity which formed a literary desert,barren wasteland Savage and consciousness as the core of a large system.In this vast literature systems,the author fromed the decline of the Shaman culture,the plight of traditional culture and the situation of vulnerable people.Guo attempts to folk culture,traditional culture and religious beliefs to awake the Mongolian people’s historical memory,which realized in our nation’s literary imagination to this collective identity and spirit of the national reconstruction.In addition to the introduction and conclusion,this article is divided into three parts:the first chapter have two angles,talk about the Inner Mongolian literary themes have changed from grasslands to desert;the second chapter make tradition and continuity as two aspects,which talk about the association of Guo’s novel’s folk culture and the shaman culture,to analyze the novels presentation of systemic and cultural change tendencies;the third chapter talk about history and secular to resolve two dimensions in Guo’s creation of historical memory and Ethnic identity relations,and analyze the literature wanting and spiritual reconstruction of Guo’s novels.