Research On The Performance Motif Of Flute Music Arranged And Created In The "seventeen Years" (1949-1966)

The 17 years after the founding of New China(1949.10-1966.4)was a relatively special period of development.The emergence of the flutes in this period reflected its human life attitude and value orientation in this particular political environment.The production of these works witnessed the development of bamboo flute art in this special historical stage.It also became an important stage in the modern bamboo flute art.This specific historical stage has laid a solid foundation for the development of Chinese bamboo flute arts after the reform and opening up,from the inheritance of playing techniques,the innovation of flute style,the channel of flute players’ emotional expression,and the type of flute performance motif.The foundation of the game played a decisive role in the inheritance of the style of the North and the South and the exchanges between the two.At the same time,it also provided usable materials and experience for the teaching of bamboo flute music.In this paper,the main performance motifs for the creation of flute music in the 17 years of the New China are divided into three categories: emotional motifs,natural motifs and folk motifs,and they are composed of backgrounds,forms of music,and emotional content,respectively.The three major performance topics are analyzed and discussed.On this basis,in this 17-year development of Chinese bamboo flute art,we explored the technical experience of Chinese bamboo flute in various important historical stages and created various motifs.From this we can further observe the 17-year Chinese bamboo flute playing art.The Historical Significance of the Development of Modern National Instrumental Music Specialty.Both "emotional" motifs,"natural" motifs,and "folk" motifs will all become milestones in the development of the long bamboo flute music.