On The Localization Characteristics And Significance Of Chinese Oil Painting Since New China

The introduction of oil painting from the west to China and the integration of this long history and rich culture will inevitably cause a problem of "nationalization" and"localization".One of the typical features of Chinese culture is to "localization" of foreign culture,such as the introduction of India Buddhism into China after a long period of localization and adjustment,which produced Chinese Buddhism,the Chan sect and even other sects.The western oil painting has been introduced into China for four hundred years,and this process is actually the process of integration of western culture in China.The localization of Chinese oil painting in the process of development with the change of the times,its characteristics also have obvious characteristics of the times,there are also many aspects of the research method and value significance.First of all,artists in China show that western paintings are all for me,and they are constantly transforming and innovating.Secondly,before and after the founding of new China,China experienced a long period of anti aggression and anti colonial revolutionary struggle.In the process of building a great mission of unity and unification of China,oil painting art as a cultural form also participated in the efforts of the Chinese nation to wake up and China’s cultural confidence,and it was built for the construction of Chinese society.At the same time,in the new era of globalization,Chinese oil painting has made a historical reappearance and expansion of traditional culture,such as Chinese historical situation,time symbol and other traditional culture.Oil painting developed into the 1950s,gradually replacing western style painting,foreign painting and other appellation to become a formal academic term.This expression indicates that oil painting has gradually become an indispensable part of Chinese cultural structure after"ocean".In the long history of the introduction of China,the development of oil painting has been neglected,experienced,and experienced rejection and integration.In the process of the multiple changes,it has gradually been influenced by the traditional culture and aesthetic spirit of the nation,and slowly began to transform into the style features of the Chinese nation.The thirty years after the founding of new China were the peak period of oil painting development.From the point of view of the localization of Chinese culture,most of the oil paintings were influenced by "politics" in this period.In the creative technique of oil painting,oil painters try to combine Chinese traditional single line flat coating with oil painting,and continue to seek new methods in its content and style.In this stage,the development of Chinese oil painting is based on the political localization as the guiding mark.Although the oil painting works after the reform and opening up still remain the factors of "political" localization,its important characteristics are the local description of human nature,form and daily life,and the expression of the art discourse form is the localization of "native land".After the 90s oil painting,with the development of inter national and inter ethnic relations in the new period,the new and diversified development trend is presented.The "localization"feature of Chinese oil painting style is becoming more and more mature and more and more mature.In today’s era,the initiative of the artist’s spontaneous creation is more prominent,and it often collectively writes to the outdoor creation,bringing the creation into the sketches,and the two are complementary to each other.This is also a unique phenomenon in this period.With the hard work of countless Chinese artists,the development of Chinese oil painting in the contemporary society has made the world all the astonishing achievements,and formed the most prosperous time in the history of Chinese oil painting.This paper makes a linear comb through the time mark of the localization development of Chinese oil painting since the founding of new China,excavates the localization characteristics of oil paintings at various stages,and studies the problems encountered in the process of its development and its significance,so as to explore the symptoms and the future of oil painting with the change of the times after the founding of new China.A variety of possibilities for innovation and development.