| As an ancient country,Iran has a long history,culture,rich material heritage and spiritual heritage.These factors play an inestimable role in the development of Iran films.The children’s films in Iran also show the culture of Iran to the world with the help of their rich cultural heritage.The children’s movies in Iran include the road exploration of the family happiness and human care of the people of Iran.Through this kind of human exploration,the connotation of Iran’s unique Oriental warmth is displayed.From 1979 to 1997,more than 200 Iran films were killed and all kinds of international awards were awarded.Among them,Abbas,the leader of Iran’s famous children’s film,is the most notable director of A Rostami and Majid Maajidi.The two director’s winning films are mostly children’s films,and it is the two directors’ adherence to the Iran children’s films,which makes the world know the Iran films and let the world know the Iran children’s films.Throughout the creation of children’s films in Iran,poor people,ignorant and disastrous people at the bottom of society are the focus and focus of Iran children’s movies.Choosing a relatively simple subject,using a single story development and a circular story to show the most true living condition of the ordinary children at the bottom of the society,deeply dissect the pure innocence and perseverance of the children suffering from the suffering of poverty,and integrate them into the poetic film skills.Human concern,and then to show the special concern of Iran ethnic groups.The cleverly set of prop metaphor,innocent and innocent children’s perspective,relaxed plot rhythm,relatively open story ending,simple and clean single line structure,clear and clear role positioning are the most commonly used methods of expression for Iran children’s films.Iran children’s films usually show aesthetic style through aesthetic composition,natural light and shadow color and other mirror images.The film shows a fresh and simple and simple effect.Iran children’s movie image is rich and poetic,the color is single and has no charm,the background is simple and generous,the lines are simple and true,forming a unique style of audio-visual language with unique Iran national characteristics.In front of the movie viewers who are accustomed to the visual spectacle and the high tech picture,Iran children’s movies have brought different cultural journeys to the readers of the world with their special cultural taste and artistic conception.The poetic representation of farming life in the pre modern era aroused the return of the sense of homesickness in the post industrial era.In Iran films,although the people of Iran are very poor in material life,this poor appearance can not hide the perseverance and kindness of human nature,which can not cover up the poetic pursuit of a beautiful life,as Heidegger quoted Holderlin’s poem,"man,full ofachievements,but a poetic dwelling on the earth." Therefore,the producers of Iran children’s films have experienced the baptism of the post industrial civilization,the excessive production,the consumption of resources,the explosion of knowledge,and the endless desire for material consumption.The simple and simple spirit of life seems to be precious a,which has eliminated the trace of carvings and the natural simplicity of the film form.A spiritual feast filled their increasingly scarce spiritual needs. |