The Intercultural Development Of The Dunhuang Mogao Grottoes Music And Dance Murals

In March 28,2015,the national development and Reform Commission,the Ministry of foreign affairs,the Ministry of Commerce jointly issued "to promote the construction of Silk Road Economic Belt and twenty-first Century Maritime Silk Road vision and action" referred to as:Belt and Road Initiative.Silk Road Economic Belt east of Xi’an,across Central Asia,West to Europe commercial trade routes,the silk road has three modern transport routes,the first ancient Silk Road transport is the ancient silk and porcelain and its name,later became the main route of East West Economic,political and cultural exchange.Dunhuang is located in the east of the Silk Road,is located in the throat,the prosperity of the commercial trade exchanges between countries,cultural diversity in Dunhuang focus,so since ancient times Dunhuang is a variety of cultural interaction to the ancient city,is the only road leading to the Central Plains,but also because of cultural pluralism and brilliant.Mr.Ji Xianlin once said:"the world has a long history,vast,self-contained,deep culture system influence only four:Chinese,India,Greece,Islam,and the convergence of these four cultural system to only one,that is China Dunhuang and Xinjiang area," which explains the culture of Dunhuang nationality and religion,diversity,age and interaction,can be seen from the China traditional culture broad and inclusive spirit connotation.Dunhuang,Dunhuang culture,Dunhuang grottoes,the Mogao Grottoes of Dunhuang,and the music and dance of the Mogao Grottoes in Dunhuang are all historical evidence.The author is mainly talking about the mural and music part of Mogao Grottoes in Dunhuang,taking Mogao Grottoes music and dance as a clue,analyzing the historical and cultural context of Dunhuang,analyzing the historical and cultural interaction,interaction and integration from the grotto music and frescoes.At the same time,we use cross-cultural and cross cultural interaction concept to explore the dynamic interaction,inheritance and evolution of Mogao Grottoes music and frescoes.We use some examples to illustrate the evolution of Dunhuang Mogao Grottoes music and frescoes in cross culture.The article is divided into four parts.The first part is the introduction,which describes the reasons and significance of the topic,and describes the related literature analysis and research methods,innovation points and difficulties.The second part introduces the concept of cultural,cross-cultural and intercultural interaction.The first cross cultural interaction is represented by Benlite history research,its concept is mainly based on cultural and cross cultural foundation,in order to break the "European Central Theory" as the theme,in the trend of globalization,produced a new global historiography theory,and the writer of this thesis is the use of cross culture and cross cultural interaction to support the theory of historiography.Secondly,it introduces the geography,history and culture of Dunhuang.Dunhuang great achievement without the unique geographical position,due to the variety of culture and the edge is a bridge between the East and west culture,known as the oasis in the desert,with the geographical location as a basis,although to a certain extent,it is because of the geographical position in the country and the boundary edge,so the change of power soon,the war continued,with people to pray for peace,as in the legend of Mogao Grottoes Buddhist holy,so it has known the subsequent development of Mogao Grottoes in Dunhuang.The history and culture of Mogao Grottoes frescoes in Dunhuang basically started from 366 years in the Eastern Jin Dynasty until the lonely frescoes in Yuan Dynasty.The third part is the core chapter,introduces the types and characteristics of Dunhuang caves and grottoes in classic music and dance,with grotto music and dance as an example,the analysis of music and dance behind the history and culture,mainly discusses the Dunhuang frescos has been the impact of Greece,India,Islamic and central plains.The fourth part mainly discusses in twenty-first Century,in the trend of globalization through the Dunhuang music and dance culture fusion reflect on the contemporary culture,Dunhuang culture inclusive give us provide a good example of this era,we should hold on to tell a different culture attitude,is a kind of humility,tolerance and openness.There is an ancient cultural interaction,when you are in the face of different culture,you hold the concept of culture,and treat the cultural attitude,is particularly important in the present era,in addition,the rheological history and culture of Dunhuang has the protection and inheritance of culture can not be ignored,the modern digital construction of Mogao Grottoes,an important the role for the protection of Dunhuang heritage.