Research On The Cultural Writing Of Villagers’ Images

The origin of the villagers’ images can be traced back to the "Aboriginal Images" in the1960 s.The "image rights" were transferred,and the indigenous people were given the right to use images to express their ideas and culture.It was not until the beginning of the 21 st century that the villagers’ images took root and sprouted in China by the way of dynamic images.The villagers took up the camera to record the local culture and edited a complete film by virtue of their personal life experience and cultural feelings.Compared with mainstream documentaries,the villagers’ images are short of gorgeous packaging,and the remaining ones are the texture of life.This is due to the fact that the villagers are not bound by the principles of image narration advocated by the academicians,and according to the villagers themselves.The cultural feeling and cognitive style of the villagers form a set of cultural writing style of the exclusive image of the villagers.In the introduction of this paper,the background and significance of the topic,the research status and research contents and methods are explained in detail.The main part consists of six chapters.The first chapter defines the villagers’ images,combs the development of the villagers’ images,and also analyzes the culture and cultural writing.The villagers’ image is that the local residents(the cultural holder)through the simple in the local perspective,with the help of the camera to show the real,comprehensive record of cultural events,to show their own cultural position,to achieve cultural reflection,community education and other purposes;The second chapter,from the angle of the cultural writer and the participant,analyzes the cultural writer in the local residents’ image creation.Roles and tasks to explore the participation of the villagers in the creation of images of foreign scholars and volunteers,they for the development of the villagers of the image made efforts and contributions;The third chapter from the cultural writing content angle,analyzes the villagers image in the different cultural level writing content and the culture deep description skill by the classification way,including the ecology level,the material level,the community level and the spiritual level culture writing;The fourth chapter from the perspective of cultural writing,analysis of the villagers in the shooting and editing of the specific way;The fifth chapter,from the perspective of the application of cultural writing achievements,respectively,with the extension of image dissemination,the construction of villagers’ cultural identity,the community and township.The application of the three aspects of the construction of soil culture as an example to explore the specific application fields of villagers ’ image culture writing;The sixth chapter based on the analysis and study of the various aspects of the villagers’ image culture writing,summed up the main plight of the villagers’ image culture writing,and onthis basis put forward the development countermeasures,this paper believes that the current dilemma lies in identity cognition.The four aspects of cultural deep drawing,image technology and empowerment of voice should focus on three aspects: community communication,image archives and distribution of interests in writing.