The Sum Of Life

"Book of Rites and yue ji" is one of the important classic aesthetic works of th e pre-Qin period in China.The thesis takes this text as the research object,enters fro m the dialectical relationship between "Yue" and "Life",and interprets the ancient aest hetics of music theory and modern life aesthetics theory,and deeply explores the life a esthetics thought contained in "Book of Rites and yue ji".The thesis is divided into three parts: the first part is from the perspectives of modern anthropology and ancient Chinese cosmic life view,interpreting the origin of "Yue" in "Book of Rites",and proposing that "Yue" is derived from people.The pursuit of the triple life and the metamorphosis of the life of the universe;the second part starts from the pursuit of the three lives of human beings,and examines and discriminates the three cultural forms of "Yue" in "Book of Rites and Music",respectively.The artistic form of "Yue",the social form of "Yue",and the cosmic form of "Yue" explore the transcendence of the different life pursuits of human beings to the corresponding life level;The third part is based on the understanding of people’s transcendence of different life levels.It combines the aesthetic ideal of the triple life dynamics in the modern life aesthetics theory with the ideal dialectic of "Yue" in "Book of Rites Music",pointing out that the three lives of human beings are adjusted.The relationship between man and himself,man and group,and man and heaven and earth,promotes the integration of human life and cosmic life to eternal harmony.Through the exploration of the aesthetics of life in "Book of Rites Music",it effectively promotes the dialogue between Chinese ancient and modern life aesthetic resources,and provides a new way of thinking for the further development of modern life aesthetics theory.