The Enlightenment Of Ni Zan's Inscription And Postscript To My Calligraphy Creation

Under the influence of the "retro" trend of thought in the Yuan Dynasty,Ni Zan’s calligraphy style has been studied in the style of buddhist scriptures in the Jin and Tang Dynasties.His calligraphy was mostly composed of inscriptions and letters,and his free and easy has complemented his landscape paintings.This article takes Ni Zan’s lower case inscriptions as the object,and briefly summarizes the previous research achievement of Ni Zan.Imitating Ni Zan’s lower case inscriptions is for analyzing his style transmutation on technique of writing,composition,orthography,ink style in the origins of early,middle,and later period.His lower-case inscriptions is delicate and mild,dignified and elegant in mature and later period.At the same time,from the perspective of Ni Zan’s painter,this paper analyzes his thoughts on "painting into the calligraphy" and deals with the relationship between the style of the calligraphy and the painting.This paper chooses different forms of lower case works to compare and create.The main creative feelings are as follows: firstly,the inscriptions is the most direct pattern of manifestation to express the author’s emotions;secondly,the spatial arrangement of Ni Zan’s lower case inscriptions take the scene structure into account,which is more visual compared with traditional writing of lower case;finally;learning Ni Zan’s lower case inscriptions and creation effective to reflect the closer integration between writing and emotionality.