Research On The Imagery Of Xie Tao's Poems

Xie Tiao is a famous poet in the Southern Qi Dynasty.His poetry not only has a high aesthetic value,but also plays a key role in the history of Chinese poetry.The research on Xie Tiao and his poems has yielded fruitful results.However,the research on the images of Xie Tiao's poetry is relatively weak.Therefore,based on the texts of Xie Tiao's poems and previous research results,combined with the background of Xie Tiao's life,this thesis makes a comprehensive and systematic analysis of the images in Xie Tiao's poetry.The author strives to reveal the unique emotions and life experiences behind these images.Except for the introducttion and conclusion,the thesis consists of three chapters.The first chapter gives an overviews of the astronomical images of Xie Tiao ' s poems.the images in Xie Tiao's poetry can be divided into the natural images and social images,The author also counts the number of occurrences of the main images to grasp the preference of Xie Tiao.window,water and Guqin are mentioned as typical images in this theise.By analyzing three typical images,we can not only grasp the emotional orientation of Xie Tiao's poetry more clearly,but also understand the inheritance and innovation of Xie Tiao's poetry on previous poems.The second chapter focuses on the characteristics of the images in Xie Tiao ' s poems.Firstly,the auther compares the images of Xie Tiao ' s poems with the images of Xie Lingyun and Bao Zhao's poems.Compared with them,images in Xie Tiao' s poetry has the characteristics of simplicity and softness.Simplicity means that Xie Tiao carefully selects the most representative images.The softness means Xie Tiao often uses a stereoscopic perspective to look at the scene,no longer pursues the reproduction of the bright colors,partial details,and outlines of the landscape.Secondly,the authors believes that until the eleventh year of Yongming,the images in Xie Tiao' s poetry really became a highly personalized images.The third chapter reveals the combination and placement of the images in Xie Tiao ' s poems.Firstly,based on the previous theory of image ' s combination and combined with the specific situation of Xie Tiao's poetry,this thesis thinks that the ways of images ' combination in Xie Tiao ' s poetry can be divided into three types:parallel type,straight line type and ring type.Xie Tiao ' s Chanting Poems are mainly combined by the ring type,supplemented by parallel type and straight line type.non-Chanting Poems are the opposite.Secondly,the author analyzes the specific placement of the imagery position of Xie Tiao's poems.From the perspective of image,this theise compares the beginning of Xie Tiao's poetry with the beginning of the poetry of the same generation.it is clear that Xie Tiao pays more attention to the beginning of poetry.Zhong Rong,a famous poetry critic,believes that Xie Tiao's poetry has a shortcoming which is "Mo Pian Duo Zhi",On the basis of specifically examining the images of the last part of Xie Tiao's poems,this theise believes that the end of Xie Tiao's poetry does have a monotonous theme.But the end of Xie Tiao's poetry not only has a long lingering charm,but also echoes the preceding verse.